tag:blogger.com,1999:blog-37690857270721213382024-03-13T15:15:08.583+02:00PSI Artistic Research Working GroupThis is a temporary web page for the Artistic Research Working Group at PSI. This blog serves both as an archive and a notice board.Unknownnoreply@blogger.comBlogger25125tag:blogger.com,1999:blog-3769085727072121338.post-13171564463652873152024-01-27T08:36:00.000+02:002024-01-27T08:36:47.960+02:00 CALL FOR PROPOSALS <p><br /></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">Performance Studies international (PSi) Artistic Research Working Group 2024<o:p></o:p></span></b></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> </span></b></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">Online: 19 April and 3 May 2024<o:p></o:p></span></b></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">In-Person: 20 – 23 June 2024 (as part of PSi #29: Assemble)<o:p></o:p></span></b></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">The Performance Studies international (PSi) Artistic Research Working Group (ARWG) welcomes proposals for its 2024 gatherings as part of <b>PSi #29: Assemble</b>. The annual conference takes place <b>20 – 23 June 2024 </b>at the Royal Central School of Speech and Drama, London, UK. The Artistic Research Working Group will hold <b>two online sessions</b> prior to the conference (<b>19 April and 3 May</b>) in addition to <b>two in-person sessions</b> in London at the time of the conference. </span><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">We invite old and new members of PSi and the working group to join either or both of these assemblies.</span><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">As noted in the conference general CFP, “To assemble has multiple meanings: to gather in one place for a common purpose or to put together the parts of something … In response to the COVID-19 pandemic, the climate crisis and global struggles for justice and recognition, we have to reconsider how to assemble, how to come together, to build, to imagine, to co-create in hostile conditions, and, conversely, what we need to disassemble, to take apart, to dismantle, to decenter, to unlearn.”<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">The ARWG invites artist-researchers from all corners of the globe to embrace this complex theme and join us for sessions that foreground interaction, participation and collaboration.<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">In-Person sessions</span></b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> will take advantage of the rich local artistic ecosystem and focus on opportunities for sharing with artists and artist-researchers from London and the surrounding area in the ARWG’s established format of the “Porous Studio.” (Details of these gatherings are still being put in place.)<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">Online sessions</span></b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> will follow the ARWG’s established “Perform/Respond” format, in which participants <b>present/perform</b> a current or recent artistic research project on the first day and then <b>respond</b> to another participant’s offering <i>through their own practice</i>on the second day. The emphasis in this year’s iteration for both the initial presentations and the subsequent responses will be on opportunities for participation (including active physical participation) afforded by the offerings.<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">We invite proposals related to a current, recent or envisioned artistic research project, to be submitted by the deadline identified below. Selected participants will be invited to submit a more detailed project description accompanied by links to online support materials (video, audio, photos, text, etc.).<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">250 – 300 word proposals</span></b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">—as well as any questions about the process—should be sent to </span><span lang="EN-CA"><a href="mailto:arwgPSi@gmail.com" style="color: #954f72;"><span style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">arwgPSi@gmail.com</span></a></span><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> no later than <b>15 February 2024</b>. <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">Full submissions</span></b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> will be due <b>15 March 2024</b>.<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">Annette Arlander / Bruce Barton / Joanna Householder<o:p></o:p></span></b></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;">PSi Artistic Working Group Convenors<o:p></o:p></span></b></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span lang="EN-CA" style="font-family: "Calibri Light", sans-serif; font-size: 11pt;"> </span></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-84539602281596092882023-08-06T11:47:00.007+03:002023-11-08T12:21:07.318+02:00<p><br /></p><div><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span style="color: #212121; font-family: "Times New Roman", serif;">Artistic Research Working Group of Performance Studies international (PSi)</span></b></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span style="color: #212121; font-family: "Times New Roman", serif;"><br />PSi 28: Uhambo Luyazilawula (Embodied Wandering Practices)</span></b></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span style="color: #212121; font-family: "Times New Roman", serif;"><br /><i>Online Exchange</i>: 30 June / 30 July / 30 August<br /><br /></span></b><span style="color: #212121; font-family: "Times New Roman", serif;">Following the ARWG’s established “PERFORM/RESPOND/EXTEND” framework, <b>three interconnected online gatherings</b> are held, one month apart, between <b>30 June </b>and<b> 30 August, 2023</b>. <br /></span><span style="font-family: "Times New Roman", serif;"> <br /><b><span style="color: #212121;">June 30 </span></b><span style="color: #212121;">online gathering: participants make initial presentations/performances<br /><b>July 30 </b>online gathering: participants offer a performative response to designated presentations/performances<br /><b>August 30 </b>online gathering: participants offer a performative ‘extension' of designated presentations and responses. <br /><br /></span><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="color: #212121; font-family: "Times New Roman", serif;">Below is a summary of the program</span><span style="font-family: "Times New Roman", serif;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span style="font-family: "Times New Roman", serif;">June 30 2023, presentations<o:p></o:p></span></b></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">ARLANDER, Annette : <i>Walking in the Woods </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">WOOD, Becca: <i>a series of distributed site-based choreographic wanderings </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">DAVIDSON, Jamie: </span><span style="color: #212121; font-family: "Times New Roman", serif;">“DESERTO”<i>: itinerant wayfaring and performance writing </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="color: #212121; font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">ARTINPROCESS, Pablo Alvez: <i>Dialoguing trajectories – from African philosophies to performance through Levinas </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">BARTON, Bruce: <i>Dragon </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">BOEHME, John G.: <i><span style="color: #0d0f1a;">The dérive </span></i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">CANNON, Sage: <i>Collaborative creation with <span style="color: #232323;">young adults who have experienced poverty </span></i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">COLEMAN, Beau: <i>wherever you go, I will…. </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="color: #212121; font-family: "Times New Roman", serif;">DISELE, Lebogong: </span><i><span style="font-family: "Times New Roman", serif;">The impact of environment on the human body during performance </span></i><span style="font-family: "Times New Roman", serif;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">DIAS, Annalisa: <i>The Invention of Seeds</i> <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">ERINCIN, Serap: <i>Desire Paths: The Right to Wander in Precarious States </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">FITZ-JAMES, Thea: <i>Deep Play Artist Residency: Creative Research & Professional Development </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">GRINIUK, Marija: <i>The impact of environment on the human body during performance </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">HALLIDAY, Tia: <i>The Weight of The Word: Investigating Embodied Technologies of Care </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">HOUSEHOLDER, Johanna: <i>Thinking through Hodology </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">KRUCHININA, Irina & Elvis Bendaña RIVAS: <i>Mystinteriors </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">LEFEVBRE, Hélène: <i>To revisit and further inhabit the Japanese encounter </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">LIU, Tingyu: <i>Performing the Archive: Contemporary Curatorial Practices and Performance Art </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">NEW, Sophia & Daniel Belasco ROGERS : <i>A Drawing of Our Lives </i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">O’GORMAN, Roisin: <i>Terminal Velocity</i>: <i>How can we remember that we are falling?</i><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span style="font-family: "Times New Roman", serif;">July 30 2023, responses<o:p></o:p></span></b></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">ARLANDER, Annette – responded to Becca Wood <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />WOOD, Becca – responded to Jamie Davidson <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />DAVIDSON, Jamie – responded to Bruce Barton <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">ARTINPROCESS, Pablo Alvez – responded to Roisin O’Gorman <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />BARTON, Bruce – responded to Pablo Alvez Artinprocess <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />BOEHME, John G. – responded to Annette Arlander <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />CANNON, Sage – responded to Annalisa Dias <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />COLEMAN, Beau – responded to Lebogang Disele <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />DISELE, Lebogang – responded to Sage Cannon <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />DIAS, Annalisa – responded to John G. Boehme <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />ERINCIN, Serap – responded to Beau Coleman <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />FITZ-JAMES, Thea – responded to Serap Erincin <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />GRINIUK, Marija – will respond to Thea Fitz-James <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />HALLIDAY, Tia – responded to Marija Griniuk <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />HOUSEHOLDER, Johanna – responded to Tia Halliday <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />KRUCHININA & RIVAS – responded to Johanna Householder <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />LEFEVBRE, Hélène – responded to Irina Kruchinina & Elvis Rivas <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />NEW Sophia & Daniel Belasco ROGERS – responded to Tingyu Liu <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br />O’GORMAN, Roisin – responded to New & Rogers <o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;">LIU, Tingyu – responded to Hélène Lefebvre<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br /></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><b><span style="font-family: "Times New Roman", serif;">August 30 2023 extensions<o:p></o:p></span></b></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><br /></p><p style="font-family: Arial; font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-size: 11.5px; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><br /></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">John BOEHME extends Pablo Alvez ARTINPROCESS’s response to Roisin O’Gorman </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Beau COLEMAN extends BOEHME’s response to Annette Arlander </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Roisin O’GORMAN extends Hélène LEFEVBRE’s response to Kruchinina & Rivas </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Tingyu LIU extends KRUCHININA & RIVAS’ response to Johanna Householder </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Hélène LEFEVBRE extends Johanna HOUSEHOLDER’s response to Tia Halliday </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Thea FITZ-JAMES extends Beau COLEMAN’s response to Lebogang Disele </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Johanna HOUSEHOLDER extends Marija GRINIUK’s response to Thea Fitz-James </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Marija GRINIUK extends Serap ERINCIN’s response to Beau Coleman </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">KRUCHININA & RIVAS’ extend Tia HALLIDAY’s response to Marija Griniuk </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span style="font-family: times;">Tia HALLIDAY extends Thea FITZ-JAMES’ response to Serap Erincin </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><br /></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Serap ERINCIN extends Lebogang DISELE’s response to Sage Cannon </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Lebo DISELE extends Sage CANNON’s response to Annalisa Dias </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Sage CANNON extends BARTON’s response to Pablo Alvez Artinnprocess </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Becca WOOD extends Roisin O’GORMAN’s response to NEW & ROGERS </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Annette ARLANDER extends Tingyu LIU’s response to Hélène Lefevbre </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Pablo Alvez ARTINPROCESS extends WOOD’s response to Jamie Davidson </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Jamie DAVIDSON extends ARLANDER’s response to Becca Wood </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px 0px 13.7px;"><span style="font-family: times;">Sophia NEW & Daniel ROGERS extend DAVIDSON’s response to Bruce Barton </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span style="font-family: times;">Bruce BARTON extends NEW & ROGERS response to Tingyu Liu </span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span style="font-family: times;"><br /></span></p><p style="font-feature-settings: normal; font-kerning: auto; font-optical-sizing: auto; font-size-adjust: none; font-stretch: normal; font-style: normal; font-variant-alternates: normal; font-variant-caps: normal; font-variant-east-asian: normal; font-variant-ligatures: normal; font-variant-numeric: normal; font-variant-position: normal; font-variation-settings: normal; line-height: normal; margin: 0px;"><span style="font-family: times;">DISCUSSION </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><span style="font-family: "Times New Roman", serif;"><br /></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm;"><br /></p></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-90958014502399150622023-04-02T16:57:00.000+03:002023-04-02T16:57:44.878+03:00 CALL FOR PROPOSALS 2023<p><b style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px;">Artistic Research Working Group of Performance Studies international (PSi)</b></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><b>PSi 28: Uhambo Luyazilawula (Embodied Wandering Practices)</b><o:p></o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><b><i>Online Exchange</i>: 30 June / 30 July / 30 August<br /><i>In-Person</i>: 2-5 August</b><o:p></o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><b><br /></b>The <b>Artistic Research Working Group (ARWG)</b> of <b>Performance Studies international (PSi)</b> invites proposals to its 2023 gatherings. Following the ARWG’s established “PERFORM/RESPOND/EXTEND” framework, <b>three interconnected online gatherings</b> will be held, one month apart, between <b>30 June and 30 August, 2023</b>. </p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><br /></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><o:p></o:p>The ARWG <b>in-person gathering</b> will be held <b>onsite</b> in conjunction with PSi 28 in Johannesburg, South Africa, <b>2 - 5 August 2023</b>.</p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><o:p> </o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;">The PSi 28 theme — Uhambo Luyazilawula (Embodied Wandering Practices) — is particularly well-suited to the ARWG’s preoccupations. The conference <a href="https://www.psi-web.org/2022/11/28/call-for-proposals-psi28-johannesburg-2023/" style="color: blue;" title="https://www.psi-web.org/2022/11/28/call-for-proposals-psi28-johannesburg-2023/">Call for Proposals</a> (<a href="https://www.psi-web.org/2022/11/28/call-for-proposals-psi28-johannesburg-2023/" style="color: blue;" title="https://www.psi-web.org/2022/11/28/call-for-proposals-psi28-johannesburg-2023/">https://www.psi-web.org/2022/11/28/call-for-proposals-psi28-johannesburg-2023/</a>) explicitly emphasizes “performative ‘wanderings’: creative journeys and intersections between past, present, and future, digital and in-person” and “alternative epistemologies: explorations of undiscovered performances, pedagogies and practices.” In this, it clearly shares the ARWG’s priorities of "mobility, wandering, and fluidity” in terms of subject matter and process design.<o:p></o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><o:p> </o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><b>Online Gatherings:</b><o:p></o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><o:p> </o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><b>April 15 /</b> deadline for proposals<o:p></o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><b>April 30 /</b> acceptances announced and ‘perform/respond/extend’ partnerships established <o:p></o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><b>June 30 /</b> online gathering #1: participants make initial presentations/performances<o:p></o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><b>July 30 /</b> online gathering #2: participants offer a performative response to designated presentations/performances</p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><o:p></o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><b>August 30 / </b>online gathering #3: participants offer a performative ‘extension' of designated presentations and responses</p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><br /></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><b>Onsite Gathering:</b></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><o:p></o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><span lang="EN-US"><br /></span></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;">As noted, above, the ARWG <b>in-person gathering</b> will emphasize artistic research exchange with South African artists and artist-researchers new to the ARWG. It will be held onsite in conjunction with PSi 28 in Johannesburg, South Africa, <b>2 - 5 August 2023</b>.</p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><o:p> </o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><b><i>Notes</i></b>: <o:p></o:p></p><ul style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0px 0px 0cm;" type="disc"><li class="MsoNormal" style="margin: 0cm;">a detailed description of the ‘perform/respond/extend’ framework will be provided to all accepted participants<o:p></o:p></li><li class="MsoNormal" style="margin: 0cm;">participants are strongly encouraged to contribute to <b>all three online stages</b> of the perform/respond/extend framework<o:p></o:p></li><li class="MsoNormal" style="margin: 0cm;">all presentations and responses are limited to a maximum of <b>10 minutes in length</b><o:p></o:p></li><li class="MsoNormal" style="margin: 0cm;">participation at the onsite gathering in Johannesburg during PSi 28 is welcomed <i>but not a requirement</i>; <b>more information about the in-person gathering will be shared as details are confirmed</b><o:p></o:p></li></ul><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><o:p> </o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;">Please send proposals for the online sessions no later than <b>15 April 2023</b> to <a href="mailto:arwgpsi@gmail.com" style="color: blue;" title="mailto:arwgpsi@gmail.com">arwgpsi@gmail.com</a>. All proposals should adhere to the following guidelines: </p><ul style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0px 0px 0cm;" type="disc"><li class="MsoNormal" style="margin: 0cm;">250 - 300 word description of artistic research project, question or area of focus, including relationship to conference theme<o:p></o:p></li><li class="MsoNormal" style="margin: 0cm;">include name, affiliation (if any), and preferred email address<o:p></o:p></li><li class="MsoNormal" style="margin: 0cm;">Indication of commitment to all three online events (June 30, July 30 & August 30)<o:p></o:p></li><li class="MsoNormal" style="margin: 0cm;">Indication of interest in attending the ARWG session in Johannesburg<o:p></o:p></li></ul><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><o:p> </o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;">Questions can also be sent to <a href="mailto:arwgpsi@gmail.com" style="color: blue;" title="mailto:arwgpsi@gmail.com">arwgpsi@gmail.com</a>. <o:p></o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><o:p> </o:p></p><p class="MsoNormal" style="caret-color: rgb(33, 33, 33); color: #212121; font-family: TrebuchetMS; font-size: 16px; margin: 0cm;"><b>Annette Arlander / Bruce Barton / Johanna Householder<br />Convenors, Artistic Research Working Group<br />Performance Studies international (PSi)<br /><span style="color: blue; line-height: 1.2;"><a href="http://psi-artistic-research-working-group.blogspot.com/" style="color: #0078d7;" title="http://psi-artistic-research-working-group.blogspot.com/">http://psi-artistic-research-working-group.blogspot.com/</a></span></b></p><br class="Apple-interchange-newline" />Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-82670389537133702412022-07-11T09:10:00.023+03:002022-09-15T10:39:52.425+03:00<p> </p><h1 style="clear: both; text-align: left;">ARWG online meeting 5-6 July 2022 at PSI #27</h1><div class="separator" style="clear: both; text-align: left;">summary of presentations and collaborative responses</div><div class="separator" style="clear: both; text-align: center;"><br /><br /></div><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: left;"><b>DAY 1 (5 July): Individual Projects</b></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Natalie Garret Brown (with Amy Voris) - Gelbezeit</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Michelle Man - <span style="font-family: inherit;"><a href="https://vimeo.com/713212073/13d547209d" target="_blank">In Process with<span> <span style="background-color: white; letter-spacing: -0.6pt;">Compañía 'eia' 2020-2021 for NUYE (2022)</span></span></a></span></div><p class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm; text-align: start;"><span style="font-family: "Times New Roman", serif;"><o:p></o:p></span></p><div class="separator" style="clear: both; text-align: left;"> </div><div class="separator" style="clear: both; text-align: left;">Jo Scott - <a href="https://drive.google.com/file/d/1pm7h3xi8pulMT9QW-56ye6ZWAvBZBUlZ/view?usp=sharing" target="_blank">Wilding the Smart City: exploring human wildness through geolocated soundwalks</a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Bruce Barton - Dramaturgies of Uncertainty: Collaborative creation with zoom </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Hélène Lefebvre - <a href="https://drive.google.com/file/d/1den49lRm1NdVIwNGEQANRIZ7gpehhAEF/view?usp=sharing" target="_blank">abstract,</a> <a href="https://vimeo.com/724069193" target="_blank">”My corporal hunger…”</a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">John Boehme - MANIFESTO How to be a better ally</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Beau Coleman - Birth of the Decay: A Performance for Dogs</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Marija Griniuk - ”I understand the term hunger…”</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Pablo alvez artinprocess - Where hunger bites – or the value of hunger </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Serap Erincin - Atrocity Boulevard</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Maurice Moore - <a href="https://drive.google.com/file/d/1Ulh6oTAaBV0eyGsn8GAfl8YvG9I91evK/view?usp=sharing" target="_blank">abstract, </a><a href="https://maurice-moore-mkx7.squarespace.com/new-index#/food-studies-foodways-marked-bodies-2020-2022-part-2/" target="_blank"> I would like a ______ meal</a> and<a href="https://www.dropbox.com/s/de5dknpzhfstajg/Nonbinaries%20In%20Nature%20Series%20%20%20Marked%20Bodies%20Video%201%2C%202%2C%203%2C%204%20Directed%20By%20Maurice%20Moore%202022.mp4?dl=0" target="_blank"> Nonbinaries in Nature series</a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Kit Danowski - <a href="https://drive.google.com/file/d/1BelpxWlsFF-DzVO5307OH1MrezIMbWDN/view?usp=sharing" target="_blank">South Sea Monster cycle</a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Annette Arlander - <a href="https://www.researchcatalogue.net/view/1323410/1702735" target="_blank">Pondering with Pines </a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><b>DAY 2 (6 July): Collaborative Responses</b></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Kit & Annette respond to Natalie (with Amy) - <a href="https://youtu.be/ih4f6yzwKwA" target="_blank">‘Plants meeting people’ – a dual perspective </a></div><div class="separator" style="clear: both; text-align: left;"> </div><div class="separator" style="clear: both; text-align: left;">Kit & Annette respond to Michelle - <a href="https://youtu.be/zAjLfrXFOFY" target="_blank">‘Glitchgesture’ – acrobatics in context</a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Serap & Maurice respond to John - Response to John </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Serap & Maurice respond to Hélène - Response to Hélène</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Pablo responds to Beau - Response to Beau </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Pablo responds to Marija - Response to Marija</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Beau & Marija respond to Serap - Silhouette Memories </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Beau & Marija respond to Maurice - Rethinking Stones</div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">John & Hélène respond to Jo - <a href="https://drive.google.com/file/d/1PDaNu0-adZ5T4dErwgtZU_nW9P76Cv6B/view?usp=sharing" target="_blank"> presentation,</a> <a href="https://www.youtube.com/watch?v=RNETu4TJfX0" target="_blank">John's response to Jo</a>, <a href="https://vimeo.com/723469396" target="_blank">Hélène's response to Jo </a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">John & Hélène respond to Bruce -<a href="https://drive.google.com/file/d/1m9w1JasKCrXfPs2N-zInn2wvM3aw_cd9/view?usp=sharing" target="_blank"> presentation,</a><a href="https://www.youtube.com/watch?v=_OZ6kVkGXyk" target="_blank"> John's response to Bruce, </a><a href="https://vimeo.com/723507463" target="_blank">Hélène's response to Bruce</a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Jo & Bruce respond to Kit - Response to Kit </div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Jo & Bruce respond to Annette - <a href="https://sway.office.com/ziJkCNg1p2RBRfJ2?ref=Link" target="_blank">Collaborative response to Pondering with Pines</a></div><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;">Michelle & Natalie respond to Pablo - <a href="https://drive.google.com/file/d/1JtdO9i5cnC1h-JlhdGUCUj_vD9XLUKir/view?usp=sharing" target="_blank">Response to Pablo </a></div><div style="text-align: left;"><br /></div></div><div style="text-align: left;"><br /></div><div style="text-align: left;"><br /></div></div><br /><p></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-66819246089665770972022-02-26T10:59:00.005+02:002022-02-28T08:41:47.420+02:00CALL FOR PROPOSALS 2022<p> </p><br /><b>Performance Studies international (PSi) Artistic Research Working Group 2022</b><br /><br />The Performance Studies international (PSi) Artistic Research Working Group welcomes proposals for its online gathering at PSi #27: Hunger. The annual conference takes place <b>6-9 July 2022</b>, and the Artistic Research Working Group (ARWG) will convene over two days, <b>6-7 July 2022</b>.<br /><br />The primary focus of PSi #27 is corporeal hunger—the literal deprivation of food and nourishment. However, the conference theme also recognizes a range of emotional and psychological manifestations of hunger, and the ARWG is particularly aware of the desire for physical contact and embodied sharing experienced over two years of a global pandemic. In response, we have been exploring the potential for meaningful interconnection in virtual exchange. In 2022, our experimentation with possible forms and rhythms of online collaboration will take the following form.<br /><br />We invite proposals related to a current, recent or envisioned artistic research project, to be submitted by <b>1 April 2022</b>. Selected participants will be invited to submit a more detailed project description accompanied by links to online support materials (video, audio, photos, text, etc.), and to make a brief presentation on this work during the first day of our gathering.<br /><br /> Each participant will also be paired with one other working group member to create a collaborative response to one of the projects presented on day one. These ‘response conversations,’ which will occur on day two of our meeting, can take many forms. They may be either fully prepared and rehearsed or informal and impromptu, depending on the collaborators’ interest and capacity. In this manner, we hope to both showcase our community’s activities and foster generous, spontaneous and animated exchange in a format that can be modified to fit all participants’ circumstances.<br /><br /><b>250 – 300 word proposals </b>should be sent to <a href="mailto:arwgPSi@gmail.com">arwgPSi@gmail.com</a> no later than<b> 1 April 2022.</b><br /><b>Full submissions</b> are due <b>15 May 2022</b>.<br /><b>Notification of ‘response conversation’ pairing</b> will be distributed by <b>1 June 2022</b>.<br /><br /><b>Annette Arlander / Bruce Barton / Joanna Householder<br />PSi Artistic Working Group Convenors</b><div><b><br /></b></div>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-70094766298971738662021-07-21T14:23:00.044+03:002021-11-29T21:33:19.754+02:00Perform – Respond – Extend 2021<p><b><span lang="EN-US"><span face="Calibri, sans-serif">A summary of the contributions (presentations, responses and extensions, with links) included in the Artistic Research Working Group online-meetings as part of Psi Constellate 6-9 July 2021</span></span></b></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-US"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Annette Arlander: </span><span lang="EN-GB" style="color: #954f72; font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://www.researchcatalogue.net/view/761326/1260607" target="_blank">Adding text on video when writing to trees?</a></span><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://www.researchcatalogue.net/view/761326/1260607" target="_blank"> </a>--- </span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">Boehme responds to Arlander --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://vimeo.com/572975222" target="_blank">Kolliopoulou extends Boehme’s response to Arlander</a></span><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Glenn D’Cruz: Maxims --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://drive.google.com/file/d/1HIzo2AfjAdl5YA1Qble16fZOeLh9Vdb7/view?usp=sharing" target="_blank">Sehic responds to D'Cruz</a></span><span style="font-size: 11pt; line-height: 16.866666793823242px;"> <span lang="EN-US">--- </span></span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://drive.google.com/file/d/127GIe_c-K4cGQXjMpVI85fmNlsQhT8LM/view?usp=sharing" target="_blank">Eatough extends Sehic's response to D'Cruz</a></span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Bruce Barton: Dramaturgies of Uncertainty: Collaborative Creation with Zoom --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://vimeo.com/572454685" target="_blank">D'Cruz responds to Barton</a></span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://vimeo.com/572454685" target="_blank"> </a><span lang="EN-US">--- </span></span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://www.youtube.com/watch?v=CAMzl4f2iL4&feature=youtu.be" target="_blank">Inston extends D’Cruz’s response to Barton</a></span><o:p></o:p></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Andrew Clete: <a href="https://drive.google.com/file/d/1RYavFKRZNJ3XrvOOJU1vr9LwHXldQmAO/view" target="_blank">“Lockdown” </a>--- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;">Devabahktuni and Sentler respond to Clete</span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"> --- </span><a href="https://vimeo.com/572660736/68f99bbf76" target="_blank"><span style="font-size: 11pt; line-height: 16.866666793823242px;">Householder/Price extend Devabahktuni</span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">/</span><span style="font-size: 11pt; line-height: 16.866666793823242px;">Sentler’s response to Clete</span></a><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Sony Devabhaktuni / Susan Sentler: Collaborative workings --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;">Griniuk responds to Devabahktuni/Sentler</span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"> --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://drive.google.com/file/d/1LYbnG4y88nNBHjU-dMYTz1zV49fczSoh/view?usp=sharing" target="_blank">Lefebvre extends Griniuk’s response to Devabahktuni/Sentler</a></span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Pablo Alvez Artinprocess: <a href="https://drive.google.com/file/d/1_oXrR3ptKzl2JpZXH7PFb9Q9KvCKmN30/view?usp=sharing" target="_blank">Modelling a methodology for a dialogic articulation between Experimental</a> </span><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://drive.google.com/file/d/1_oXrR3ptKzl2JpZXH7PFb9Q9KvCKmN30/view?usp=sharing" target="_blank">Performance Art and Philosophy</a> --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://www.youtube.com/watch?v=-wW08sUZpbc&t=36s" target="_blank">Clete responds to alvez artinprocess</a></span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"> --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://www.youtube.com/watch?v=DlueQMmTHfA" target="_blank">Griniuk extends Clete’s response to Alvez</a></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Graham Eatough and Andre Dekker: Floating Worlds: towards an archipelagic dramaturgy --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://vimeo.com/580002134" target="_blank">Barton responds to Eatough</a></span><span style="font-size: 11pt; line-height: 16.866666793823242px;"> <span lang="EN-US">--- </span></span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://drive.google.com/file/d/1V2zEJKxoSrUvX5fGh-PptMVBIG7EJUBZ/view?usp=sharing" target="_blank">Sehic extends Barton’s response to Eatough</a></span><o:p></o:p></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Marija Griniuk: Eco-violence and performance art in Lithuania. --- Householder and Price respond to Griniuk </span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">--- <a href="https://drive.google.com/file/d/1jdLrJWcvwpLsGxBbWVdtlPyv9ia08dlR/view?usp=sharing" target="_blank">A</a></span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://drive.google.com/file/d/1jdLrJWcvwpLsGxBbWVdtlPyv9ia08dlR/view?usp=sharing" target="_blank">lvez extends Householder/Price’s response to Griniuk</a></span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">John Boehme: Allyship, Intersections & how to acknowledge privilege. --- <a href="https://drive.google.com/file/d/19TiKrdhL-xO4snX2v9QQ7elPxMdG6nxS/view?usp=sharing" target="_blank">Dan</a></span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://drive.google.com/file/d/19TiKrdhL-xO4snX2v9QQ7elPxMdG6nxS/view?usp=sharing" target="_blank">iel responds to Boehme</a> --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://vimeo.com/572997296/0ee65a86dc" target="_blank">Man extends Daniel’s response to Boehme</a></span><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Danae Theodoridou: <a href="https://vimeo.com/472927232" target="_blank">Languages of the Unheard, The Practice of Democracy </a>--- </span><a href="https://vimeo.com/manage/videos/572404389" style="color: #954f72;" target="_blank"><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">Arlander responds to Theodoridou</span></a><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">--- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;">Daniel extends</span><span style="font-size: 11pt; line-height: 16.866666793823242px;"> </span><span style="font-size: 11pt; line-height: 16.866666793823242px;">Arlander’s response to </span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">Theodoridou</span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Johanna Householder /Judith Price: <a href="https://vimeo.com/571831431/7d2368b145" target="_blank">Careful, Reckless, Selflessness</a> --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://drive.google.com/file/d/1dneBSUigKZTL2e8nsHDZR9V3Rbdu-Xz-/view?usp=sharing" target="_blank">Lefebvre responds to Householder/Price</a></span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"> --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://www.youtube.com/watch?v=zqkNGD_B6QI" target="_blank">Clete extends Lefebvre’s response to Householder/Price</a></span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Camille Inston: Betweenspace/s: Towards a Transmedial Practice of Digital Intimacy --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://vimeo.com/572521178/c1f84932ef" target="_blank">Eatough responds to Intson</a></span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><span lang="EN-US">--- </span></span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://vimeo.com/572888212" target="_blank">D'Cruz extends Eatough's response to Intson</a></span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Eleni Kolliopoulou: <a href="https://vimeo.com/572035380" target="_blank">Choreographing encounters</a> --- </span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://vimeo.com/572503039/f4ba8f02fe" rel="nofollow">Man responds to Kolliopoulou</a> --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href=" https://vimeo.com/572970717" target="_blank">Saner extends Man’s response to </a></span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"><a href=" https://vimeo.com/572970717" target="_blank">Kolliopoulou </a><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Hélène Lefebvre: <a href="https://vimeo.com/571343087" target="_blank">Horizons </a>--- </span><a href="https://vimeo.com/650930850" target="_blank"><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">A</span><span style="font-size: 11pt; line-height: 16.866666793823242px;">lvez responds to Lefebvre</span></a><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"> --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;">Devabahktuni/Sentler extend alvez’ response to Lefebvre<o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Caitlin Main: Contextualizing the Body: Dramaturgies of Safety in Trauma-Based Performance --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://vimeo.com/588763514/3dd1144801" target="_blank">Saner responds to Main</a></span><span style="font-size: 11pt; line-height: 16.866666793823242px;"> <span lang="EN-US">--- </span></span><a href="https://vimeo.com/manage/videos/572877400" style="color: #954f72;" target="_blank"><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">Arland</span><span style="font-size: 11pt; line-height: 16.866666793823242px;">er extends Saner’s response to Main</span></a><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Michelle Man: <a href="https://vimeo.com/565339011/11729ae6e9" target="_blank">Mercurial Lights in the Ring: practising choreo-luminosity in contemporary circus</a> ---</span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">Main responds to Man ---<a href="https://drive.google.com/file/d/1ibrQdNJJhTL36tVjQHLuIT-WWWKx2wlz/view?usp=sharing" target="_blank">Theodoridou extends Main's response to Man</a> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Goze Saner: <a href="https://vimeo.com/588837265/b780077d5e" target="_blank">Sharing is caring: solo performer pedagogy as artistic research</a> --- <a href="https://drive.google.com/file/d/1bjes_q93ct41XLjajjgzG3e21Els-QjF/view?usp=sharing" target="_blank">Theodoridou responds to Saner</a> </span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">--- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;">Boehme extends </span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">Theodoridou</span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">’s response to Saner</span><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Ivana Sehic: Embodying loss: art and mourning under the new biopolitical context --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;">Intson responds to Sehi</span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">c --- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;">Barton extends Intson's response to Sehic</span><span style="font-size: 11pt; line-height: 16.866666793823242px;"><o:p></o:p></span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;"> </span></p><p class="MsoNormal" style="font-family: Calibri, sans-serif; line-height: 18.399999618530273px; margin: 0cm;"><span lang="EN-GB" style="font-size: 11pt; line-height: 16.866666793823242px;">Henry Daniel: <a href="https://drive.google.com/file/d/17ociCfVaaVH0AXD0jV2Run2MZ7oJVlqS/view?usp=sharing" target="_blank">Nomadic Movements</a> --- </span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;"><a href="https://vimeo.com/22578190" target="_blank">Kolliopoulou responds to Daniel </a>--- </span><span style="font-size: 11pt; line-height: 16.866666793823242px;">Ma</span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">i</span><span style="font-size: 11pt; line-height: 16.866666793823242px;">n extends Kolliopoulou’s response to Danie</span><span lang="EN-US" style="font-size: 11pt; line-height: 16.866666793823242px;">l</span><span lang="EN-US"><o:p></o:p></span></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-61424780637005114572021-07-05T21:59:00.004+03:002021-07-05T22:03:00.706+03:00ARTISTIC RESEARCH WORKING GROUP: “Perform / Respond / Extend” 7-9 July 2021<p><span style="font-family: Helvetica; font-size: 11px;">Part of PSi 2021 Constellate Programming <a href="https://www.psi-web.org/constellate/">https://www.psi-web.org/constellate/</a></span></p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">Observers welcome, register here: <a href="https://www.psi-web.org/constellate_arwg/">https://www.psi-web.org/constellate_arwg/</a></p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;"><br /></p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;"><b><br /></b></p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;"><b>DAY 1: PERFORM 12:00 to 17:00 UTC</b></p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;"><br /></p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">12:00 to 12:20 Welcome, Land Acknowledgements and opening remarks.</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">Co-convenors Annette Arlander, Bruce Barton, and Johanna Householder</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;"><br /></p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">12:20 Performances/Presentations of research materials</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">There are 22 presenters allotted 7 minutes each (with +1 minute for change over)</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;"><br /></p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">1. 12:20 Annette Arlander: Adding text on video when writing to trees?</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">2. 12:28 Glenn D’Cruz: Maxims</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">3. 12:36 Bruce Barton: Dramaturgies of Uncertainty: Collaborative Creation with Zoom</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">4. 12:44 Andrew Clete: “Lockdown”</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">5. 12:52 Sony Devabhaktuni / Susan Sentler: Collaborative workings</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">6. 13:00 Pablo Alvez Artinprocess: Modelling a methodology for a dialogic articulation between Experimental</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">Performance Art and Philosophy</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">7. 13:08 Graham Eatough and Andre Dekker: Floating Worlds: towards an archipelagic dramaturgy</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">8. 13:16 Marija Griniuk: Eco-violence and performance art in Lithuania.</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">9. 13:24 Jamie Harper: Authentic (Virtual) Spaces: Remote Intimacy, Prosthetic Agency, Colonial Empathy</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">10. 13:32 John Boehme: Allyship, Intersections & how to acknowledge privilege.</p>
<p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">11. 13:40 Danae Theodoridou: Languages of the Unheard, The Practice of Democracy</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;"><br /></p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">14:00 – one hour break to 15:00</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;"><br /></p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">12. 15:00 Johanna Householder /Judith Price: Careless, Reckless, Selflessness</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">13. 15:08 Camille Inston: Betweenspace/s: Towards a Transmedial Practice of Digital Intimacy</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">14. 15:16 Eleni Kolliopoulou: Choreographing encounters</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">15. 15:24 Hélène Lefebvre: Horizons</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">16. 15:32 Caitlin Main: Contextualizing the Body: Dramaturgies of Safety in Trauma-Based Performance</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">17. 15:40 Michelle Man: Mercurial Lights in the Ring: practising choreo-luminosity in contemporary circus</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">18. 15:48 Katherine Mezur: Synchronized Devotion: Practicing Militarized Practices</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">19. 15:56 Jatun Risba: Be-coming ki-n</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">20. 15:04 Goze Saner: Sharing is caring: solo performer pedagogy as artistic research</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">21. 16:12 Ivana Sehic: Embodying loss: art and mourning under the new biopolitical context</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">22. 16:20 Henry Daniel: Nomadic Movements</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;">16:28 to 17:00 Closing remarks and discussion: Overview of Day 2 and Day 3</p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;"><br /></p><p style="font-family: Helvetica; font-size: 11px; font-stretch: normal; line-height: normal; margin: 0px;"><br /></p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-967293528284064362021-05-12T17:31:00.000+03:002021-05-12T17:31:17.070+03:00Call for proposals 2021<p><span style="caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px;"> </span></p><h2 style="border: 0px; box-sizing: border-box; color: #333333; font-family: Raleway, Helvetica, Arial, Lucida, sans-serif; font-size: 26px; font-weight: 500; line-height: 1em; margin: 0px; outline: 0px; padding: 0px 0px 10px; text-align: center; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; color: #00727a; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">PSi Artistic Research Working Group: Summer Session 2021</span></span></h2><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; text-align: center; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> </span></p><h3 style="border: 0px; box-sizing: border-box; color: #333333; font-family: Raleway, Helvetica, Arial, Lucida, sans-serif; font-size: 22px; font-weight: 500; line-height: 1em; margin: 0px; outline: 0px; padding: 0px 0px 10px; text-align: center; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; color: #e8542c; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">PERFORM/RESPOND/EXTEND</span></span></h3><h3 style="border: 0px; box-sizing: border-box; color: #333333; font-family: Raleway, Helvetica, Arial, Lucida, sans-serif; font-size: 22px; font-weight: 500; line-height: 1em; margin: 0px; outline: 0px; padding: 0px 0px 10px; text-align: center; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; color: #e8542c; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Constellations of Engagement Through Artistic Research</span></span></h3><h3 style="border: 0px; box-sizing: border-box; color: #333333; font-family: Raleway, Helvetica, Arial, Lucida, sans-serif; font-size: 22px; font-weight: 500; line-height: 1em; margin: 0px; outline: 0px; padding: 0px 0px 10px; text-align: center; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; color: #e8542c; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Part of the PSi <span style="border: 0px; box-sizing: border-box; font-style: italic; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Constellate</span> Program</span></span></h3><h4 style="border: 0px; box-sizing: border-box; color: #333333; font-family: Raleway, Helvetica, Arial, Lucida, sans-serif; font-size: 18px; font-weight: 500; line-height: 1em; margin: 0px; outline: 0px; padding: 0px 0px 10px; text-align: center; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; color: #00727a; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">7-9 July / On Zoom / Shifting Time Zones (to accommodate international participation)</span></span></h4><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; color: #00727a; font-size: large; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-size: 18px; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">EVENT DESIGN</span></span></p><ul style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; line-height: 26px; list-style-image: initial; list-style-position: initial; margin: 0px; outline: 0px; padding: 0px 0px 1em 1em; vertical-align: baseline;"><li style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Day 1: Perform. </span>Each participant will offer an artistic research presentation/performance. The presentations can take a wide variety of forms, including performances, text, video, audio, images, scores, etc. In order to allow for the maximum number of participants, presentations will be no more than <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">nine minutes</span> in duration.</li><li style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Day 2: Respond: </span>Each participant will present<span style="border: 0px; box-sizing: border-box; font-style: italic; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> a response to another participant’s abstract and presentation/performance from Day 1</span>. The response can likewise take a variety of forms, and will be no more than <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">eight minutes</span> in duration.</li><li style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Day 3: Extend: </span>Each participant will present<span style="border: 0px; box-sizing: border-box; font-style: italic; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">an extension to another participant’s response from Day 2</span>, further extending a specific idea, question or problem of interest to them. The extension should include a shareable object (such as a document, recording, etc.) that can be disseminated and archived online at the ARWG blog. Presentations will be no more than <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">seven minutes</span> in duration.</li></ul><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></span></p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></span></p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; color: #00727a; font-size: large; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-size: 18px; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">EVENT SCHEDULE</span></span></p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;">We propose a 5 hour session each day: two 2 hour sessions with a one hour break. In principal, the start time of each successive day will <span style="border: 0px; box-sizing: border-box; font-style: italic; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">shift by six hours</span>.</p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Day 1: 04:00 GMT</span></p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Day 2: 10:00 GMT</span></p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">DAY 3: 16:00 GMT</span></p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;">Modest adjustments to this schedule may be made, based on the global locations of the participants. However, the basic model of accommodating broad international participation will be maintained.</p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> </span></p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; color: #00727a; font-size: large; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-size: 18px; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">PROPOSALS</span></span></p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;">Proposals should include a written description or abstract of 200-300 words that establishes the conceptual context of an original artistic research project or performance (at any stage of development). The abstract should be accompanied by online access to documentation for the project. This material may involve a wide range of formats (images, audio, video, text, etc.). It should be possible for another participant to experience (read, view, listen to, etc.) the submitted materials within a period of 60 minutes.</p><ul style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; line-height: 26px; list-style-image: initial; list-style-position: initial; margin: 0px; outline: 0px; padding: 0px 0px 1em 1em; vertical-align: baseline;"><li style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">The 200-300 word abstracts and accompanying URL(s) for all selected proposals will be shared with the other participants approximately one week before Day 1. The abstracts will be distributed to all others in attendance on the day of the presentation.</li><li style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">At the beginning of Day 1, each participant will be assigned another participant’s presentation to <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">respond</span> to on Day 2.</li><li style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">On Day 2, each participant will be assigned another participant’s Day 2 response to <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">extend</span> on Day 3.</li><li style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">On Day 3, each participant will <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">submit</span> the shareable object included in their extension presentation.</li></ul><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;">Please send the <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">abstracts</span>, along with the URL(s) for the <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">artistic research</span> <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">materials</span> and a <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">brief bio</span> (max. 200 words), in an email with the subject title “<span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">ARWG 2021</span>” to the convenors at the address given below. Please <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">do not</span> send the materials as documents or audio/visual files. If you don’t have access to online storage capacity (such as Dropbox, Google Drive, etc.), please contact us directly and we will try to advise/support you in this regard.</p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">A total of 12 proposals will be selected for full participation in the Working Group session. Selection will be based on demonstrated levels of theoretical innovation, methodological reflection, and critical engagement of the artistic research project.</span></p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">All proposals must be received no later than 15 May 2021</span>. The selection of participants will be announced by <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">30 May 2021</span>. All members of PSi are invited to attend the Working Group session and to contribute questions and reflections via the Zoom platform “Chat” function.</p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; color: #00727a; font-size: large; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-size: 18px; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">PARTICIPATION</span></span></p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;">While we understand that unanticipated obligations may make it impossible for all individuals to attend all three sessions, the integrity of the Perform/Respond/Extend framework relies upon continuity of participation. We therefore ask that all individuals <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">explicitly</span> <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">confirm</span>their intention to participate in <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">all three days</span> with submission of their proposal.</p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;">All participants in the ARWG Summer Session must be <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">current members</span> of Performance Studies international. PSi membership rates remain both tiered and modest. In addition, due to the unique pandemic circumstances of 2020-21, PSi is offering a <span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Pay-What-You-Can</span> annual membership option for individuals who are unable to afford the fee that usually applies to them.</p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;">Full membership information can be found here: <a href="https://www.psi-web.org/membership/" style="border: 0px; box-sizing: border-box; color: #e8542c; margin: 0px; outline: 0px; padding: 0px; text-decoration: none !important; vertical-align: baseline;" target="_blank">https://www.psi-web.org/membership/</a></p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; color: #00727a; font-size: large; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-size: 18px; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">ARTISTIC RESEARCH</span></span> is meant as an elastic umbrella concept that includes a range of approaches that use art, creative practice or performance as a primary means and method of inquiry. These include the distinct approaches ‘performance as research’ (PAR), ‘practice as research’ (PaR), ‘practice-based research’ (PBR), ‘practice-led research, ‘creative arts research’, ‘research-creation’, ‘arts-based research’, and numerous other associated practices. In many cases, the subject of study is artistic practice itself, as in ‘artistic inquiry.’ In others, creative practice is used as a way of investigating non-artistic (or not exclusively artistic) subjects. Our aim is to invite a broad spectrum of these approaches, drawn from within and beyond academic and institutional contexts, to reflect the diverse and vital abundance of interrelated orientations, perspectives, and approaches to research in contemporary art.</p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;">We encourage submissions from all interested individuals, and are eager to engage with brand new members, as well as the rich ongoing community of ARWG members.</p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"> </p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px 0px 1em; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; color: #00727a; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Annette Arlander / </span></span><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></span><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; color: #00727a; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Bruce Barton / </span></span><a href="mailto:bruce.barton@ucalgary.ca" style="border: 0px; box-sizing: border-box; color: #e8542c; margin: 0px; outline: 0px; padding: 0px; text-decoration: none !important; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></span></a><span style="border: 0px; box-sizing: border-box; font-weight: 700; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="border: 0px; box-sizing: border-box; color: #00727a; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Johanna Householder<br style="box-sizing: border-box;" />Convenors, Artistic Research Working Group<br style="box-sizing: border-box;" />Email: <a href="mailto:arwgPSi@gmail.com" style="border: 0px; box-sizing: border-box; color: #e8542c; margin: 0px; outline: 0px; padding: 0px; text-decoration: none !important; vertical-align: baseline;">arwgPSi@gmail.com</a><br style="box-sizing: border-box;" /></span></span></p><p style="border: 0px; box-sizing: border-box; caret-color: rgb(102, 102, 102); color: #666666; font-family: "Open Sans", Arial, sans-serif; font-size: 14px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> </p>Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-76673478083704174662020-06-27T19:45:00.002+03:002020-11-27T22:14:06.200+02:00Summer Meeting of PSi Artistic Research Working Group: July 7th, 2020<div dir="ltr" style="text-align: left;" trbidi="on">
To past and present participants in the <b>PSi Artistic Research Working Group</b>.<br />
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As we announced back when we received word that the 2020 PSi conference had officially been postponed to next year, we would still like to bring the members of the ARWG together virtually this summer. We initially considered an online version of the “Perform/Respond/Extend” format originally intended for Rijeka; however, the ongoing demands of navigating the current social and political challenges most of us are facing at the moment have led us to a change of plans.</div>
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We propose that we hold a focused gathering <b>on Zoom</b> of the Artistic Research Working Group during the originally planned conference period. We are proposing <b>Tuesday, July 7th</b>, at the following time(s):</div>
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Melbourne, Australia:<span class="Apple-tab-span" style="white-space: pre;"> </span>12:00 am</div>
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Manila, Philippines:<span class="Apple-tab-span" style="white-space: pre;"> </span>5:00 am</div>
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California, USA:<span class="Apple-tab-span" style="white-space: pre;"> </span>7:00 am</div>
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Toronto, Canada:<span class="Apple-tab-span" style="white-space: pre;"> </span>10:00 am</div>
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London, UK:<span class="Apple-tab-span" style="white-space: pre;"> </span>3:00 pm</div>
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Stockholm, Sweden:<span class="Apple-tab-span" style="white-space: pre;"> </span>4:00 pm</div>
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Delhi, India:<span class="Apple-tab-span" style="white-space: pre;"> </span>7:00 pm</div>
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Beijing, China:<span class="Apple-tab-span" style="white-space: pre;"> </span>10:00 pm</div>
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Tokyo, Japan:<span class="Apple-tab-span" style="white-space: pre;"> </span>11:00 pm</div>
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This gathering will be open to everyone who was planning to attend PSi #26 this summer, as well as all past members of the Working Group for whom we have contact information.</div>
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No doubt that the restrictive conditions resulting from the current pandemic, as well as the potentially transformative cultural tensions associated with Black Lives Matter, will not be far from our minds. As such, we'd like to organize the gathering with a specific focus on the following questions:</div>
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1) "What Artistic Research are you currently working on/dreaming about at this moment?"</div>
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2) "What specific impacts are current social, cultural and political dynamics having on your Artistic Research motivations, interests, and practices?"</div>
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All participants will be asked to share for 3 - 5 minutes (maximum) on this topic. Speakers will have access to screen sharing, and short documents/images/video links can be shared in advance (through the convenors). The presentations can be entirely informal, but can also be more formally structured, providing they do not exceed the allotted time.</div>
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Note: depending on the strength of response to this invitation, we may also schedule a second session.</div>
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***</div><div><br /></div><div>See the program of the meeting that took place <a href="https://drive.google.com/file/d/1YYISGmoQXmPYU1JvFZ3CCfmfx9h20k6w/view?usp=sharing" target="_blank">here </a></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-15864643656551894162020-03-06T15:48:00.001+02:002020-03-06T15:48:32.929+02:00‘Perform, Respond, Extend: Engaging the Crisis of Care Through Artistic Research'<div dir="ltr" style="text-align: left;" trbidi="on">
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<b class="">CALL FOR PROPOSALS</b><o:p class=""></o:p></div>
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<b class=""><span class="" lang="EN-US">Performance Studies international #26 / Rijeka, Croatia / July 7 - 11, 2020<br class="" />‘Perform, Respond, Extend: Engaging the Crisis of Care Through Artistic Research'<br class="" />A project of the Artistic Research Working Group of PSi</span></b><span class="" lang="EN-US"><br class="" /><br class="" />Inspired by the announced theme for </span><span class="" lang="EN-US"><a href="http://psi2020rijeka.com/" target="_blank">PSi#26: Crises of Care: Act, Respond, Engage</a></span><span class="" lang="EN-US">— the Artistic Research Working Group will continue to develop a way of working explored over the past two years, and specifically last year’s “Performance, Response, Extraction: the Elasticity of Artistic Research” gathering in Calgary, Canada at PSi#25<b class="">. </b>Our “performance-response-extraction” approach last year was the most recent adaptation of our established “Porous Studio” model of interaction. </span>Developed several years ago, the Porous Studio was an ambitious but contained invitation to PSi member artists and local practitioners from the constantly changing conference locations to join the Artistic Research Working Group in a space of intermixing, contamination, and multiplicity. While this gathering has traditionally been restricted to the annual conference event, over the past 2 years we have experimented with a new mode of working that involves online pre-conference contributions, exchange and creative research. Last year we added to the established process of “performance and response" a third aspect or phase: the <b class="">extraction</b> of a research problem or research question, that can then be fed back into future discussion. (The program and submitted extracts from PSi#25 are available on our blog: <a href="http://psi-artistic-research-working-group.blogspot.com./"><span style="color: blue;"><span style="font-size: 11pt;">http://psi-artistic-research-working-group.blogspot.com</span></span>.</a>) <span class="" style="font-size: 11pt;">At this year’s gathering, we are shifting the emphasis of this final phase to one of</span><span class="" style="font-size: 11pt;"> </span><b class="" style="font-size: 11pt;">extension</b><span class="" style="font-size: 11pt;">, which we believe will provide for greater agency and independence for participants.</span></div>
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<span class="" lang="EN-US"><br class="" /></span>Artistic Research is meant as an elastic umbrella concept that includes a range of approaches that use art, creative practice or performance as a primary means and method of inquiry. These include the distinct approaches 'performance as research' (PAR), ‘practice as research’ (PaR), 'practice-based research' (PBR), ‘practice-led research, ‘creative arts research’, 'research-creation', 'arts-based research', and numerous other associated practices. In many cases, the subject of study is artistic practice itself, as in 'artistic inquiry.’ In others, creative practice is used as a way of investigating non-artistic (or not exclusively artistic) subjects. Our aim is to invite a broad spectrum of these approaches, drawn from within and beyond academic and institutional contexts, to reflect the diverse and vital abundance of interrelated orientations, perspectives, and approaches to research in contemporary art.<o:p class=""></o:p></div>
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<span class="" lang="EN-US">Through the ‘performance, response, extension’ model of exchange, participants will have the opportunity to <i class="">respond to</i> presentations, performances and articulations <i class="">through</i> presentations, performances and articulations and then extend the examination of a key question (problem, principle, provocation…) that they find interesting for further discussion. </span>Ultimately, we hope these three phases effectively parallel the explicit priorities of PSi#26—act, respond, engage—through a direct, generous and extended engagement with the most urgent of issues emerging out of the ARWG members’ research practices. As well, this year we are working to arrange a <b class="">one-day pre-conference</b> gathering; more information will be made available about this session as soon as the details are in place. When submitting your proposal, please indicate whether you would be able to join us for the day prior to the formal start of the conference.</div>
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<b class="" style="font-size: 11pt;">Model of Engagement for PSi#26</b></div>
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<span class="" lang="EN-US"><b class=""><i class="">In Brief</i></b>:<o:p class=""></o:p></span></div>
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• All participants make an artistic submission prior to the conference gathering. The submissions can take a wide variety of forms, including text, video, audio, images, etc.<o:p class=""></o:p></div>
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<span class="" lang="EN-US">• All participants <i class="">prepare a response to another participant’s initial submission</i> for presentation at the conference event in Calgary.<o:p class=""></o:p></span></div>
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• All participants are assigned one of the above paired sets of ‘submission and response’ that will be experienced at the conference, and tasked with identifying a key question or problem that they find interesting, based on the discussion in Calgary. Participants then prepare an original extension of this key question for dissemination through their own practice (in the form of a document, recording, object, etc.) to be shared and preserved after the conference.<o:p class=""></o:p></div>
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<b class=""><i class="">The Details</i></b>:<br />
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Confirmation of participation by <b class="">1 February 2020</b>.<br />
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<b class="">Stage One</b>: Each participant submits an artistic research project (at any stage of development) or performance documented in some manner, supported by images, audio, video, text, etc., together with a written description or abstract of 100-300 words that introduces the general idea of the project. It should be possible to experience (read, view, or listen to) the submitted materials within a period of 60 minutes. <b class="">All proposals must be received no later than 15 March 2020</b>. <span class="" lang="EN-US">Please send the abstracts (with links to the artistic research materials) in an email with the subject title “ARWG 2018” to the three Working Group conveners (emails below). </span><span class="" lang="EN-US" style="font-size: 11pt;">All accepted abstracts will be posted to a dedicated online folder. </span><span class="" style="font-size: 11pt;">Participants will then be able to submit additional materials to individual sub-folders, either directly or via links to existing online platforms (such as Vimeo, Youtube, etc.).</span></div>
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<b class="">Stage Two</b>: Each participant is assigned another participant’s submission by 31 March 2020, and is invited to prepare a presentational response to that submission, using their own preferred mode of practice to critically engage with the submission. The response can take the form of a performance, a participatory research exercise, a written document to be read aloud, etc. The respondents will submit the title and duration of their response (from 5 min to 20 min.) to the group <b class="">no later than 31 May 2020</b>.<br />
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<b class="">Stage Three</b>: Participants present their responses at the working group sessions during the conference in Rijeka. <span class="" lang="EN-US">The 100-300 word abstracts are made available in advance for the other participants and onsite for all other attendees at the open session who have not had access to online materials.</span><b class="">Stage Four</b>: Each participant is assigned one of the ‘submission and response’ pairings witnessed in Rijeka and asked to extract a question or problem out of that exchange, leading to the preparation of a shareable object (document, recording, etc.). <span class="" lang="EN-US">These ‘extensions’ are based on the witnessed exchange but also reflect the third participant’s original contribution to the exchange in a form that can be both shared and archived online. </span>The extensions should be uploaded to the participant’s individual sub-folder <b class="">no later than 1 September 2020</b>.<o:p class=""></o:p></div>
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On behalf of the working group convenors:<o:p class=""></o:p></div>
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Annette Arlander: <a class="" href="mailto:annette.arlander@uniarts.fi" style="color: blue;">annette.arlander@uniarts.fi</a><br />
Bruce Barton: <a class="" href="mailto:bruce.barton@ucalgary.ca" style="color: blue;">bruce.barton@ucalgary.ca</a><o:p class=""></o:p></div>
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Johanna Householder: <a class="" href="mailto:jhouseholder@ocadu.ca" style="color: blue;">jhouseholder@ocadu.ca</a></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-12230490897782628742019-09-13T12:02:00.003+03:002020-07-06T16:24:56.113+03:00"Extracts" from the working group meeting in Calgary 2019<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span lang="EN-US" style="font-family: "calibri" , sans-serif;">Documentation of </span></b></div>
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<b><span lang="EN-US" style="font-family: "calibri" , sans-serif;">Performance, Response, Extraction – Elasticity of Artistic Research </span></b><span lang="EN-US" style="font-family: "calibri" , sans-serif;"><o:p></o:p></span></div>
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<b><span lang="EN-GB">A project of the Artistic Research Working Group of Psi (2019)</span></b><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">The </span><span lang="EN-US" style="color: #333333;">participants in the working group were assigned one of the paired sets of ‘submission and response’ experienced at the conference, and tasked with extracting a core question or problem that they find interesting, based on the discussion in Calgary, in most cases. Participants then prepared an archivable version of this extraction (in the form of a document, recording, object, etc.) to be shared and preserved after the conference, which is here available through the links.</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-GB">Brian Rusted’s </span><span lang="EN-US">extract of a core question in the response by </span><span lang="EN-GB">Colin Tucker to the material presented by </span><span lang="EN-US">Beau Coleman: <a href="https://drive.google.com/open?id=1m2-ZF0f2ycMOwlBXU-UX-x2mkqOQ6nJ4" target="_blank">"Extractions"</a></span></div>
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<span lang="EN-GB">Jane Frances Dunlop’s </span><span lang="EN-US">extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-US">Beau Coleman </span><span lang="EN-GB">to the material presented by Brian Rusted: ”<a href="https://vimeo.com/363649481" target="_blank">One man’s hands</a>”</span></div>
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<span lang="EN-US">Alexandria Inkster’s </span><span lang="EN-US">extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-GB">Brian Rusted to the material presented by </span><span lang="EN-US">Jiang Feng: XXXXX </span><span lang="EN-GB"><o:p></o:p></span></div>
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<span lang="EN-GB">Denise Ziegler’s </span><span lang="EN-US">extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-GB">Jane Dunlop to the material presented by </span><span lang="EN-GB"></span><span lang="EN-US">Alexandria Inkster: XXXXX</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-GB">Glenn D'Cruz’s </span><span lang="EN-US">extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-US">Alexandria Inkster </span><span lang="EN-GB">to the material presented by </span><span lang="EN-GB"></span><span lang="EN-US">Denise Ziegler: <a href="https://drive.google.com/open?id=1x6hz0OfDb8J81g1Mv_3tg2lEkQK9ti07" target="_blank">"Extractions"</a></span></div>
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<span lang="EN-GB">Michelle Man’s </span><span lang="EN-US">extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-GB">Denise Ziegler to the material presented by </span><span lang="EN-GB"></span><span lang="EN-US">Glenn D’Cruz</span><span lang="EN-US">: <a href="https://vimeo.com/435518805/7cf7b2e8d1" target="_blank">"Liquid Light"</a></span><br />
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<span lang="EN-US">Annette Arlander’s extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-GB">Glenn D'Cruz to the material presented by </span><span lang="EN-GB"></span><span lang="EN-US">Michelle Man: <a href="https://artisticresearchinstockholm.wordpress.com/2019/09/08/looking-at-light-in-lill-jansskogen/" target="_blank">"Looking at Light" </a></span><br />
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<span lang="EN-US">Jennifer Nikolai’s extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-GB">Michelle Man to the material presented by </span><span lang="EN-GB"></span><span lang="EN-US">Annette Arlander</span><span lang="EN-US">: XXXXX</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-GB">Henry Daniel’s </span><span lang="EN-US">extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-US">Annette Arlander </span><span lang="EN-GB">to the material presented by </span><span lang="EN-GB"></span><span lang="EN-US">Jennifer Nikolai</span><span lang="EN-US">: XXXXX</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">Lauren Mark’s extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-US">Jennifer Nikolai </span><span lang="EN-GB">to the material presented by </span><span lang="EN-GB"></span><span lang="EN-US">Henry Daniel: </span><a href="https://drive.google.com/open?id=1-hK9zA_AsQBnzWvRUJG7AgUxbyqlxLw_" target="_blank"><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 12pt;">“</span><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 12pt;">How does the idea of home evolve as we age or change familiar locations?</span><span lang="EN-US" style="font-family: "calibri" , sans-serif; font-size: 12pt;">”</span></a></div>
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<span lang="EN-GB">Kevin O’Connor’s </span><span lang="EN-US">extract of a core question in the response by </span><span lang="EN-GB">Henry Daniel to the material presented by </span><span lang="EN-GB"></span><span lang="EN-US">Lauren Mark: XXXXX</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">Melanie Dreyer-Lude’s extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-US">Lauren Mark </span><span lang="EN-GB">to the material presented by Kevin O’Connor</span><span lang="EN-US">: <a href="https://drive.google.com/open?id=12j6ZldfSYhIm_26X18c6CPI2MBMD_oLD" target="_blank">"Fascia"</a></span></div>
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<span lang="EN-GB">Emilie St Hilaire’s </span><span lang="EN-US">extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-GB">Kevin O’Connor to the material presented by Mike Fletcher / Melanie Dreyer-Lude</span><span lang="EN-US">: XXXXX</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">Birgitte Bauer-Nilsen’s extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-US">Melanie Dreyer-Lude </span><span lang="EN-GB">to the material presented by </span><span lang="EN-GB"></span><span lang="EN-US">Emilie St Hilaire</span><span lang="EN-US">: XXXXX<br /><br /><o:p></o:p></span></div>
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<span lang="EN-US">Gerhard Liska’s </span><span lang="EN-US">extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-GB">Emilie St Hilaire Sharon Kahanoff</span><span lang="EN-US">: XXXXX</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">Paola Livorsi’s extract of a core question in the response by</span><span lang="EN-US"></span><span lang="EN-US">Birgitte Bauer-Nilsen </span><span lang="EN-GB">to the material presented by Gerhard Liska</span><span lang="EN-US">: <a href="https://helsinkieurope.wordpress.com/2019/10/31/dismantling-the-splits-response-to-birgitte-bauer-nilsen/" target="_blank">Dismantling the Splits </a></span></div>
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<span lang="EN-US">Christoph Walter Solstreif-Pirker’s extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-US">Gerhard Liska </span><span lang="EN-GB">to the material presented by Paola Livorsi</span><span lang="EN-US">: <a href="https://solstreif.at/Painting" target="_blank">"A Thing Called Nature"</a></span></div>
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<span lang="EN-US">Gry Worre Hallberg’s extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-US">Paola Livorsi </span><span lang="EN-GB">to the material presented by </span><span lang="EN-GB"></span><span lang="EN-US">Christoph</span><span lang="EN-US">Solstreif-Pirker</span><span lang="EN-US">: XXXXX</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-US">Mark Harvey’s extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-US">Christoph Walter Solstreif-Pirker </span><span lang="EN-GB">to the material presented by </span><span lang="EN-GB"></span><span lang="EN-US">Gry Worre Hallberg: XXXXX</span><span lang="EN-US"><o:p></o:p></span></div>
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<span lang="EN-GB">Johanna Householder’s </span><span lang="EN-US">extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-US">Gry Worre Hallberg </span><span lang="EN-GB">to the material presented by </span><span lang="EN-GB">Mark Harvey</span><span lang="EN-US">: </span></div>
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<span lang="EN-GB">Colin Tucker’s </span><span lang="EN-US">extract of a core question in the response by </span><span lang="EN-US"></span><span lang="EN-US">Mark Harvey </span><span lang="EN-GB">to the material presented by </span><span lang="EN-US">Johanna Householder</span><span lang="EN-US">: XXXXX</span><span lang="EN-US" style="font-size: 11pt;"><o:p></o:p></span></div>
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<span lang="EN-US">Beau Coleman’s extracts core question in the response by </span><span lang="EN-GB">Johanna Householder to the material presented by </span><span lang="EN-US">Colin Tucker</span><span lang="EN-US">: XXXXX</span><span lang="EN-US"><o:p></o:p></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-13206836455932535632019-04-05T12:07:00.001+03:002019-04-23T17:47:38.401+03:00"Performance, Response, Extraction – Elasticity of Artistic Research" at PSI#25 Calgary, Canada 4-7 July 2019<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "times new roman" , serif;"><span style="font-size: 14.666666984558105px;">The deadline for the call was extended to 31 March and we received plenty of interesting proposals. The call is here below in its original form, to remind us of the process:</span></span></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">Call for Proposals</span></b><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">Performance Studies international #25 / Calgary, Canada / 4 – 7 July 2019</span></b><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">Performance, Response, Extraction – Elasticity of Artistic Research</span></b><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">A project of the Artistic Research Working Group of PSi</span></b><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">Inspired by the announced theme for PSi #25 – “Elasticity”— the Artistic Research Working Group proposes to continue to develop the way of working explored at last year’s “Performance and Response: Networking Artistic Research” gathering in Daegu, Korea through a ‘performance-and-response’ adaptation of our established “Porous Studio” model of interaction. Developed several years ago, the Porous Studio was an ambitious but contained invitation to PSi member artists and local practitioners from the constantly changing conference locations to join the Artistic Research Working Group in a space of intermixing, contamination, and multiplicity. While this gathering has traditionally been restricted to the annual conference event, for 2018 we experimented with a new mode of working based on ‘performance and response,’ including structured exchange prior to our gathering in Daegu. This year in Calgary we will introduce a third aspect or phase into the process: the extraction of a research problem or research question, that can then be fed back into future discussion.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">Artistic Research is meant as an elastic umbrella concept that includes a range of approaches that use art, creative practice or performance as a primary means and method of inquiry. These include the distinct approaches 'performance as research' (PAR), ‘practice as research’ (PaR), 'practice-based research' (PBR), ‘practice-led research, ‘creative arts research’, 'research-creation', 'arts-based research', and numerous other associated practices. In many cases, the subject of study is artistic practice itself, as in 'artistic inquiry.’ In others, creative practice is used as a way of investigating non-artistic (or not exclusively artistic) subjects. Our aim is to invite a broad spectrum of these approaches, drawn from within and beyond academic and institutional contexts, to reflect the diverse and vital abundance of interrelated orientations, perspectives, and approaches to research in contemporary art. Through the ‘performance, response, extraction’ model of exchange, participants will have the opportunity to <i>respond </i><i>to </i>presentations, performances and articulations <i>through </i>presentations, performances and articulations and then distil or extract a core question (problem, principle, provocation…) that he/she finds interesting for further discussion. In this way we aim to explore the elasticity of artistic research as a methodology, and to expand our collective horizons through the sharing of knowledge(s) and experience(s) both in terms of preparation for the conference and its aftermath.</span><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">Model of Engagement for PSi#25 </span></b><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<b><i><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">In Brief: </span></i></b><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<li class="MsoNormal" style="vertical-align: baseline;"><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">All participants make an artistic submission prior to the conference gathering. The submissions can take a wide variety of forms, including text, video, audio, images, etc.<o:p></o:p></span></li>
<li class="MsoNormal" style="vertical-align: baseline;"><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">All participants <i>prepare a response to another participant’s initial submission </i>for presentation at the conference event in Calgary.<o:p></o:p></span></li>
<li class="MsoNormal" style="vertical-align: baseline;"><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">All participants are assigned one of the above paired sets of ‘submission and response’ that will be experienced at the conference, and tasked with extracting a core question or problem that they find interesting, based on the discussion in Calgary. Participants then prepare an archivable version of this extraction (in the form of a document, recording, object, etc.) to be shared and preserved after the conference.<o:p></o:p></span></li>
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<b><i><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">The Details:<o:p></o:p></span></i></b></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">Confirmation of participation by 1 February 2019<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">Stage One: Each participant submits an artistic research project (at any stage of development) or performance documented in some manner, supported by images, audio, video, text, etc., together with a written description or abstract of 100-300 words. It should be possible to experience (read, view, or listen to) the submitted materials within a period of 60 minutes. <b>All proposals must be received no later than 15 March 2019. </b>Please send the abstracts (with links to the artistic research materials) in an email with the subject title “ARWG 2018” to the three Working Group conveners (emails below). </span><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">All accepted abstracts will be posted to a dedicated online folder. Participants will then be able to submit additional materials to individual sub-folders, either directly or via links to existing online platforms (such as Vimeo, Youtube, etc.). </span><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">Stage Two: Each participant is assigned another participant’s submission by 31 March 2018, and is invited to prepare a presentational response to that submission, using their own preferred mode of practice to critically engage with the submission. The response can take the form of a performance, a participatory research exercise, a written document to be read aloud, etc. The respondents will submit the title and duration of their response (from 5 min to 20 min.) to the group <b>no later than 31 May 2019.</b></span><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">Stage Three: Participants present their responses at the working group sessions during the conference in Calgary. The 100-300 word abstracts are made available onsite for the other participants and for other attendees at the open session who have not had access to online materials. </span><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">Stage Four: </span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">Each participant is assigned one of the ‘submission and response’ pairings witnessed in Calgary and asked to extract a question or problem out of that exchange, leading to the preparation of an archivable object (document, recording, etc.). These ‘extractions’ can be either a distillation or an extension of the witnessed exchange, reflecting the participant’s personal reaction to the presented materials. The extractions should be uploaded to the participant’s individual sub-folder <b>no later than 1 September 2019</b>.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">On behalf of the working group convenors:</span><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<span style="font-family: "times new roman" , serif; font-size: 11pt;">Annette Arlander: annette.arlander@uniarts.fi</span><span style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">Bruce Barton: bruce.barton@ucalgary.ca</span><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 11pt;">Johanna Householder: jhouseholder@ocadu.ca</span><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-17101878768872095072018-07-08T14:48:00.000+03:002018-07-08T14:48:26.708+03:00"Performance and Response" at PSi#24 Daegu: Performance as Network<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="http://1.bp.blogspot.com/-MxIsalLuXII/Wz8rTQMakWI/AAAAAAAAAwk/g6u9o8Q2e0I4oKwkIFALMyczDUbplkq7gCK4BGAYYCw/s1600/inside%2Blooking%2Bout%2B2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="400" src="https://1.bp.blogspot.com/-MxIsalLuXII/Wz8rTQMakWI/AAAAAAAAAwk/g6u9o8Q2e0I4oKwkIFALMyczDUbplkq7gCK4BGAYYCw/s640/inside%2Blooking%2Bout%2B2.jpg" width="640" /> <span style="color: black; font-family: "calibri" , sans-serif; font-size: x-small; text-decoration: none;">"Inside Looking out" screenshot via skype by Göze Saner</span></a><a href="http://1.bp.blogspot.com/-MxIsalLuXII/Wz8rTQMakWI/AAAAAAAAAwk/g6u9o8Q2e0I4oKwkIFALMyczDUbplkq7gCK4BGAYYCw/s1600/inside%2Blooking%2Bout%2B2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="color: black; font-family: "calibri" , sans-serif; font-size: x-small; text-decoration: none;"><br /></span></a><a href="http://1.bp.blogspot.com/-MxIsalLuXII/Wz8rTQMakWI/AAAAAAAAAwk/g6u9o8Q2e0I4oKwkIFALMyczDUbplkq7gCK4BGAYYCw/s1600/inside%2Blooking%2Bout%2B2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="color: black; font-family: "calibri" , sans-serif; font-size: x-small; text-decoration: none;"><br /></span></a></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">The Artistic Research Working Group met at PSi#24 in Daegu, Korea, with some of the members engaged in the process of performance and response present at the site - Julie-Ann Long, Olga Spyropoulou, Bruce Barton and Annette Arlander, while Cherie Samson, Ned McGowan, Göze Saner and Per Roar participated via Skype and Johanna Householder via email. Due to last minute cancellations there were some "broken links" in the chain of responses. The program was nevertheless packed and the conversations exciting. Old and new members of the working group joined some of the sessions: Ray Langenbach, Pilvi Porkola, Carolyn Deby, Kanta Kochar-Lindgren. The new mode of working tried out this year seemed promising and worth developing. The next task will be to consider how to deal with the aftermath: how some of these experiences could be archived and what questions they evoked.</span></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 16pt;">The revised schedule<o:p></o:p></span></b></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif;">July 3<sup>rd</sup></span></b><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif;">13:15 – 16:15 </span></b><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif;"> </span></b><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">1.</span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 7pt;"> </span><span lang="EN-GB" style="font-family: "times new roman" , serif;">Annette Arlander and Bruce Barton: brief presentation of the working group and this year’s working process<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">2.</span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 7pt;"> </span><span lang="EN-GB" style="font-family: "times new roman" , serif;">Annette Arlander (response to Ned McGowan): “Durations”<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">3.</span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 7pt;"> </span><span lang="EN-GB" style="color: #212121; font-family: "times new roman" , serif;">G</span><span lang="EN-GB" style="font-family: "times new roman" , serif;">ö</span><span lang="EN-GB" style="color: #212121; font-family: "times new roman" , serif;">ze Saner (response to Attila Antal): “</span><span lang="EN-GB" style="font-family: "times new roman" , serif;">Looking at Her, Looking at Other, Looking at Another” Distance presentation with live exercise.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">4.</span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 7pt;"> </span><span lang="EN-GB" style="font-family: "times new roman" , serif;">Ned McGowan (response to Julie-Ann Long): Distance presentation.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">5.</span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 7pt;"> </span><span lang="EN-GB" style="font-family: "times new roman" , serif;">Cherie Samson (response to Annette Arlander): </span><span lang="EN-GB" style="color: #212121; font-family: "times new roman" , serif;">“</span><i><span lang="EN-GB" style="font-family: "times new roman" , serif;">observe, perform, labor (repeat)”</span></i><span lang="EN-GB" style="font-family: "times new roman" , serif;"> Distance presentation.<o:p></o:p></span></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif;">July 4<sup>th</sup></span></b><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif;">13:15 – 16:15<o:p></o:p></span></b></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">1.</span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 7pt;"> </span><span lang="EN-GB" style="font-family: "times new roman" , serif;">Bruce Barton (response to Johanna Householder): </span><span lang="EN-GB" style="color: #212121; font-family: "times new roman" , serif;">“A line of flight.”</span><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 13.5pt;">2.</span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 7pt;"> </span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 13.5pt;">Cherie Samson’s work Eudaimonia (which had no response to be shared) <o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">3.</span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 7pt;"> </span><span lang="EN-GB" style="font-family: "times new roman" , serif;">Per Roar (response to </span><span lang="EN-GB" style="color: #111111; font-family: "times new roman" , serif;">Orestes Pérez Estanquero): ”Crowds & Power” Distance presentation</span><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">4.</span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 7pt;"> </span><span lang="EN-GB" style="font-family: "times new roman" , serif;">Julie-Ann Long (response top Göze Saner) </span><span lang="EN-GB" style="color: #212121; font-family: "times new roman" , serif;">“Inside Looking Out” </span><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">5.</span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 7pt;"> </span><span lang="EN-GB" style="font-family: "times new roman" , serif;">Olga Spyropoulou (response to Per Roar) </span><span lang="EN-GB" style="color: #212121; font-family: "times new roman" , serif;">“</span><span lang="EN-GB" style="font-family: "times new roman" , serif;">Doctoris angelici”<o:p></o:p></span></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif;">July 5<sup>th</sup></span></b><span lang="EN-GB" style="font-family: "times new roman" , serif;"><o:p></o:p></span></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif;">13:15 – 14:15<o:p></o:p></span></b></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">1.</span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 7pt;"> </span><span lang="EN-GB" style="font-family: "times new roman" , serif;">Johanna Householder (response to Thomas Riccio): Performed live by Annette Arlander and Bruce Barton, Julie-Ann Long and Carolyn Deby, with Kanta Kochar-Lindgren<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">2.</span><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 7pt;"> </span><span lang="EN-GB" style="font-family: "times new roman" , serif;">Working Group Planning Session: a review of this year’s model and thinking about the aftermath and the future.<o:p></o:p></span></div>
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<b><span lang="EN-GB" style="font-family: "times new roman" , serif;">The Aftermath</span></b><b><span lang="EN-GB" style="font-family: "times new roman" , serif; font-size: 13.5pt;"><o:p></o:p></span></b></div>
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<span lang="EN-GB" style="font-family: "times new roman" , serif;">Fragments of the process and the questions it evoked will be archived here:<o:p></o:p></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-5608614557143358352017-12-14T08:12:00.001+02:002017-12-14T08:12:28.970+02:00Performance and Response - Networking Artistic Research, Psi #24, Daegu 3-6 July 2018<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">Performance
Studies international #24 / Daegu, Korea / 3 – 6 July 2018</span></b><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<b><span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">Performance and
Response - Networking Artistic Research</span></b><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<b><span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">A project of the
Artistic Research Working Group of PSi</span></b><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">Inspired by the
announced theme for PSi #24--“Performance as Network: Arts, City, Culture”--
the Artistic Research Working Group proposes to extend the experiences from
last year’s “Excess and Abundance” gathering in Hamburg through a
‘performance-and-response’ adaptation of our established “Porous Studio” model
of interaction. Developed several years ago, the Porous Studio is an ambitious
but contained invitation to PSi member artists and local practitioners from the
constantly changing conference locations to join the Artistic Research Working
Group in a space of intermixing, contamination, and multiplicity, producing a
shifting network of artists sharing their practices and ideas over time. While
this gathering has traditionally been restricted to the annual conference
event, for 2018 we are experimenting with a new mode of working based on
‘performance and response,’ including structured exchange prior to our
gathering in Daegu, in order to emphasize the networking potential of our work
together.</span><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">Artistic Research
is meant as an umbrella concept that includes a range of approaches that use
art, creative practice or performance as a primary means and method of inquiry.
These include the distinct approaches 'performance as research' (PAR), ‘practice
as research’ (PaR), 'practice-based research' (PBR), ‘practice-led research,
‘creative arts research’, 'research-creation', 'arts-based research', and
numerous other associated practices. In many cases, the subject of study is
artistic practice itself, as in 'artistic inquiry.’ In others, creative practice
is used as a way of investigating non-artistic (or not exclusively artistic)
subjects. Our aim is to invite a broad spectrum of these approaches, drawn from
within and beyond academic and institutional contexts, to reflect the diverse
and vital abundance of interrelated orientations, perspectives, and approaches
to research in contemporary art. Through the ‘performance and response’ model
of exchange, participants will have the opportunity to <i>respond</i> <i>to</i>
presentations, performances and articulations <i>through</i> presentations,
performances and articulations. In this way we aim to establish a dynamic
network of this activity, and to expand our collective horizons through the
sharing of knowledge(s) and experience(s).</span><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<b><span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">Model of
Engagement for PSi#24 </span></b><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<b><i><span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">In Brief: </span></i></b><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<li class="MsoNormal" style="color: black; mso-list: l0 level1 lfo1; mso-themecolor: text1; tab-stops: list 36.0pt; vertical-align: baseline;"><span style="font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB;">All
participants make a submission prior to the conference gathering. The
submissions can take a wide variety of forms, including text, video,
audio, images, etc.<o:p></o:p></span></li>
<li class="MsoNormal" style="color: black; mso-list: l0 level1 lfo1; mso-themecolor: text1; tab-stops: list 36.0pt; vertical-align: baseline;"><span style="font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB;">All
participants <i>prepare a response to another participant’s initial
submission</i> for presentation at the conference event in Daegu.<o:p></o:p></span></li>
</ol>
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<b><i><span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">The Details:</span></i></b><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">Stage One: Each
participant submits an artistic research project (at any stage of development) or
performance documented in some manner, supported by images, audio, video, text,
etc., together with a written description or abstract of 100-300 words. It
should be possible to experience (read, view, or listen to) the submitted
materials within a period of 60 minutes. <b>All proposals must be received no
later than 15 March 2018. </b>Please send the abstracts (with links to the
artistic research materials) in an email with the subject title “ARWG 2018” to
the three Working Group conveners (emails below). </span><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">All accepted
abstracts will be posted to a dedicated online folder. Participants will then
be able to submit additional materials to individual sub-folders, either
directly or via links to existing online platforms (such as Vimeo, Youtube,
etc.). </span><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">Stage Two: Each
participant is assigned another participant’s submission by 31 March 2018, and
is invited to prepare a presentational response to that submission, using their
own preferred mode of practice to critically engage with the submission. The
response can take the form of a performance, a participatory research exercise,
a written document to be read aloud, etc. The respondents will submit the title
and duration of their response (from 5 min to 20 min.) to the group <b>no later
than 31 May 2018.</b></span><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">Stage Three:
Participants present their responses at the working group sessions during the
conference in Daegu. The 100-300 word abstracts are made available onsite for
the other participants and for other attendees at the open session who have not
had access to online materials. </span><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">Depending upon
interest, a possible fourth stage will include the creation of a publication on
the Research Catalogue (</span><span style="color: black; mso-themecolor: text1;"><a href="https://www.researchcatalogue.net/"><span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">https://www.researchcatalogue.net</span></a></span><span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">) consisting of materials and
documentation from both the original submissions and performed responses.</span><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">On behalf of the
working group convenors:</span><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">Annette Arlander:
annette.arlander@uniarts.fi</span><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">Bruce Barton:
bruce.barton@ucalgary.ca</span><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span style="color: black; font-family: "Times New Roman",serif; font-size: 11.0pt; mso-fareast-language: EN-GB; mso-themecolor: text1;">Johanna
Householder: jhouseholder@ocadu.ca</span><span style="color: black; font-family: "Times New Roman",serif; mso-fareast-language: EN-GB; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Performance Studies international #23 / Hamburg, Germany / 8 – 11 June
2017<o:p></o:p></span></div>
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<br /></div>
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<b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Excess and Abundance
of Artistic Research<o:p></o:p></span></b></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">A project of the Artistic Research Working Group of PSi<o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Contributions consist of </span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">1) ten-minute
reports of on-going artistic investigations or artistic research projects,
presented onsite in Hamburg and augmented by material shared online on the Research Catalogue in advance
of the presentation; and 2) thirty-minute project presentations or
participatory workshops, performances or events, conducted onsite in Hamburg
and augmented by material shared online on the Research Catalogue in advance of the event.</span><br />
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"><br /></span>
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"><span style="font-family: -webkit-standard;">Preliminary Program</span></span><br />
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"><span style="font-family: -webkit-standard;"><br /></span></span></div>
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<br />
<div class="MsoNormal">
<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">Thursday June 8 at
10-11.30<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">10-10.20 introduction
and presentation<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">10.20-10-30 Bruce
Barton 10 min.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">10.30-10.45 </span><span style="color: #333333; font-family: "times new roman"; mso-ansi-language: EN-GB; mso-fareast-font-family: "Times New Roman";">Matteo Bonfitto 15 min</span><span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
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<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">10.45-11.15 Birgitte
Bauer Nilsen 30 min<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">11.15-11.25 Beau
Coleman 10 min<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">11.25-11.30 <o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">Friday June 9 at
9-10.30<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">9-9.10 introduction
and presentation<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">9.10-9.20 Johanna
Householder 10 min<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">9.20-9.30 Sarah
Blissett 10 min.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">9.30-9.40 Natalie
Garrett Brown 10 min.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">9.40-9.50 Katherine
Mezur 10 min.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">9.50-10.00 Gry Worre
Hallberg 10 min. </span><span lang="FI" style="color: #333333; font-family: "times new roman"; mso-ansi-language: FI; mso-fareast-font-family: "Times New Roman";">(via
Skype)<o:p></o:p></span></div>
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<span lang="FI" style="color: #333333; font-family: "times new roman"; mso-ansi-language: FI; mso-fareast-font-family: "Times New Roman";">10-10.30
Anne Robinson 30 min. </span><span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">(walk)<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">Saturday 10 at 9-10.30<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-fareast-font-family: "Times New Roman";">9-9.10 introduction
and welcome<o:p></o:p></span></div>
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<span lang="FI" style="color: #333333; font-family: "times new roman"; mso-ansi-language: FI; mso-fareast-font-family: "Times New Roman";">9.10-9.20
Annette Arlander 10 min.<o:p></o:p></span></div>
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<span lang="FI" style="color: #333333; font-family: "times new roman"; mso-ansi-language: FI; mso-fareast-font-family: "Times New Roman";">9.20-9.30
Hanna Järvinen 10 min.<o:p></o:p></span></div>
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<span lang="FI" style="color: #333333; font-family: "times new roman"; mso-ansi-language: FI; mso-fareast-font-family: "Times New Roman";">9.30-9.40
Pilvi Porkola 10 min.<o:p></o:p></span></div>
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<span lang="FI" style="color: #333333; font-family: "times new roman"; mso-ansi-language: FI; mso-fareast-font-family: "Times New Roman";">9.40-9.50
Tero Nauha 10.min<o:p></o:p></span></div>
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<span lang="FI" style="color: #333333; font-family: "times new roman"; mso-ansi-language: FI; mso-fareast-font-family: "Times New Roman";">9.50-10.00
Mark Harvey 10 min. (via Skype)<o:p></o:p></span></div>
<!--EndFragment--><span style="color: #333333; font-family: "times new roman"; font-size: 12pt;">10-10.30 final discussion,
future plans</span><br />
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New members, visitors and all interested are warmly welcome!<br />
<br />
The proposal in full is included here below. Please note that changes are possible and probable:<br />
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<br />
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Performance Studies international #23 / Hamburg, Germany / 8 – 11 June
2017<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Excess and Abundance
of Artistic Research<o:p></o:p></span></b></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">A project of the Artistic Research Working Group of PSi<o:p></o:p></span></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Inspired by the announced theme for PSi #23 – “OverFlow” – the Artistic
Research Working Group proposes to build upon but also exceed the ambitious but
contained model of the “Porous Studio,” its established practice over the past
several conferences. An open invitation to PSi member artists and local
practitioners from the shifting conference locations, the Porous Studio has
always been seen as a space of intermixing, contamination, and multiplicity. For
2017 we are overflowing the fixed spatial and temporal zones of PSi #23 through
extended sessions in Hamburg and pre- and post-conference online (and,
potentially, actual) exchange and collaboration via the international Research
Catalogue database (https://www.researchcatalogue.net/portal).<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Artistic Research is meant as an umbrella concept that
includes a range of approaches that use art, creative practice or performance
as a primary means and method of inquiry. These include the distinct approaches
'performance as research' (PaR), 'practice-based research' (PBR), ‘practice-led
research, ‘creative arts research’, 'research-creation', 'arts-based research',
and numerous other associated practices. In many cases, the subject of study is
artistic practice itself, as in 'artistic inquiry’. In others, creative
practice is used as a way of investigating non-artistic (or not exclusively
artistic) subjects. Our aim is to invite a broad spectrum of these approaches,
drawn from within and beyond academic and institutional contexts, to reflect
the diverse and vital overflow of orientations, perspectives, and approaches to
research in contemporary art. Through presentations, performances, articulations
and conversation, we aim to showcase vital examples of this activity
internationally, and to expand our collective horizons through the sharing of
knowledge(s) and experience(s).<o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Contributions consist of </span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">1) ten-minute
reports of on-going artistic investigations or artistic research projects,
presented onsite in Hamburg and augmented by material shared online in advance
of the presentation; and 2) thirty-minute project presentations or
participatory workshops, performances or events, conducted onsite in Hamburg
and augmented by material shared online in advance of the event.<o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">All contributors will be invited to register on the Research Catalogue
and establish an individual page on the Artistic Research Working Group site
within the database. This will be a closed forum for exchange prior to and
following the conference, and we can explore the option of publishing some
materials after the gathering as a form of public conference proceedings. Members
who will not be able to attend in Hamburg can also submit online presentations
or contributions that will be uploaded on the Research Catalogue and shared
with the other WG members on an on-going basis.<o:p></o:p></span></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">The theme of “OverFlow” will be served by the very diversity of our collected
approaches, but members may also choose to address it directly through some
aspect of their conference participation.<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="FI" style="font-family: "times new roman";">Mark Harvey,</span></b><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;"> University of
Auckland</span><span lang="FI" style="font-family: "times new roman";">. <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">In the way</span></b><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;"> (30
min)</span><span lang="FI" style="font-family: "times new roman";"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">‘In the Way’ will be a participatory performance where
participants will explore what it means to continuously 'be in the way' of
other people in the site of the conference context. The notion of over-flow is
interpreted here in terms of spatial stresses on population and urban contexts.
The project aims to ask what can be the thresholds of interruption by being in
the way, either physically or symbolically. It will use G. Deleuze and F
Guattari’s notion of the swarm as an institutional excuse for its behaviors.
This project is also intended to ask in what ways can being in the way generate
conversations about how we see over-flowing? <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Bio<o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Mark Harvey is a New Zealand-based artist mostly
working in performance and video drawing on political, psychological and social
approaches and physical endurance. Some of the galleries related events he has
presented in, include: The 55<sup>th</sup> Venice Biennale for Visual Arts
(2013), the New Zealand Festival of the Arts (2012), Umeå Art Museum,
(Sweden, 2016), the Trondheim Kunstmuseum (2012), the New Performance Turku
Festival (Finland, 2014 and 2016), Te Uru gallery (Auckland, 2016),
Laznia Contemporary Art Centre (Gdansk, Poland,
2015), Prague Quadrennial (2015), Hitparaden (Copenhagen, 2014),
Te Tuhi Gallery (Auckland, 2012, 2014 and 2016), Window (Auckland, 2008), the
Govett Brewster Art Gallery (Taranaki, NZ, 2006), Gallery ZET (Amsterdam,
2011), Blue Oyster (Dunedin, 2009), Auckland Festival of the Arts (2005 and
2015), Physicsroom Contemporary Artspace (Christchurch, 2002 and
2006), City Gallery (Wellington, 2005), Canary (Auckland,
2005) and Enjoy Gallery (Wellington, 2003). His writing has also been published
in a range of publications such as the UK Performance Research Journal (2006
and 2013) and the South Project (2013). Harvey is a Senior Lecturer at the
Faculty of Creative Arts and Industries at The University of Auckland and has a
PhD from AUT University related practice. He has recently published a book
on a sample of 14 years of his practice titled <i>Play Book </i>(Index Design
and Publishing). Some links:<o:p></o:p></span></div>
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<span lang="FI"><a href="https://www.youtube.com/watch?v=ks9eKFgXX8o"><span lang="EN-US" style="color: #0000e9; font-family: "times new roman"; mso-ansi-language: EN-US;">https://www.youtube.com/watch?v=ks9eKFgXX8o</span></a></span><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<span lang="FI"><a href="https://www.circuit.org.nz/artist/mark-harvey"><span lang="EN-US" style="color: #0000e9; font-family: "times new roman"; mso-ansi-language: EN-US;">https://www.circuit.org.nz/artist/mark-harvey</span></a></span><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<span lang="FI"><a href="http://www.lettingspace.org.nz/productive-bodies/"><span lang="EN-US" style="color: #0000e9; font-family: "times new roman"; mso-ansi-language: EN-US;">http://www.lettingspace.org.nz/productive-bodies/</span></a></span><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<span lang="FI"><a href="https://vimeo.com/179443676"><span lang="EN-US" style="color: #043dcc; font-family: "times new roman"; mso-ansi-language: EN-US;">https://vimeo.com/179443676</span></a></span><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<span lang="FI"><a href="http://markharvey.co.nz/"><span lang="EN-US" style="color: #0000e9; font-family: "times new roman"; mso-ansi-language: EN-US;">http://markharvey.co.nz/</span></a></span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;"><o:p></o:p></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="FI" style="font-family: "times new roman";">Natalie Garrett Brown,</span></b><span lang="FI" style="font-family: "times new roman";"> Coventry University, UK.<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Moving &
Mapping; knowing communities through dance practice – reflections on
a interdisciplinary UK funded research project.</span></b><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;"> (10 min.)<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Reflecting on the first phase of a 3 year UK funded
research project I will explore how the sensate performance body can
be a conceived as a knowledge generator within the frame of Practice as
Research. Specifically the discussion will focus on the project’s aim to
create, a ‘Manifesto for Change’ co-created with inhabitants of City, town
planers and artists proposing that a corporeal engagement with place and
space can inform and lead city creation for the 21st Century.<span class="msoIns"><ins cite="mailto:Arlander,%20Annette" datetime="2017-01-20T13:51"><o:p></o:p></ins></span></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Bio<o:p></o:p></span></b></div>
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<span lang="EN-US" style="color: #262626; font-family: "times new roman"; mso-ansi-language: EN-US;">Dr Natalie Garrett Brown, BA, MA, PhD is
Head of School for Media and Performing Arts at Coventry University. She is
associate editor for the <i>Journal of Dance and Somatic Practices </i>and sits
on the editorial board for, <i>Research in Dance Education </i>and is vice
chair for Dance HE<i> </i>(Standing Conference of Dance in Higher Education).
Natalie undertook her Somatic Movement Educators Training in Body-Mind
Centering with Embody Move Association, UK and is co-convener of the
International Conference for Dance and Somatic Practices, held biannually at
Coventry University. She is also a founding member of <i>enter and inhabit</i>,
a collaborative site responsive project and the Corporeal Knowing Network; an
exchange between theatre and dance artists and scholars interested in embodied
writing practices and processes. Her current research and artistic project
flockOmania, explores collaborative practice across dance, sound, film and the
visual arts.</span><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;"><span class="msoIns"><ins cite="mailto:Arlander,%20Annette" datetime="2017-01-20T13:51"><o:p></o:p></ins></span></span></b></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Matteo Bonfitto</span></b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">, State
University of Campinas, Brazil.<o:p></o:p></span></div>
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<b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">PERFORMING NICHOMACHEAN ETHICS<o:p></o:p></span></b></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">(Ten-minute report of on-going artistic investigation)<o:p></o:p></span></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">In this artistic project, called “Performing Nichomachean Ethics” I try
to turn the considerations produced in Nichomachean Ethics, by Aristotle, into
actions. In this respect, the question raised by the Greek Philosopher - How should
human beings best live? - functions in this case as a sort of performative
trigger that can generate different kinds of material and narrative layers:
actions performed in real time in different contexts; these actions, once
recorded, produce audio-visual material; and the account of such actions
produce, in turn, written material. Besides the question referred to above,
other aspects which appear in the original text by Aristotle are explored in
this project in order to create a variety of relational dynamics, in which it
is possible not just “to talk about ethics” but also “to talk through ethics”,
that is, “to experience and embody ethics” on different levels.<o:p></o:p></span></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">This proposal is part of a bigger project called “The Philosopher as a
Practical Philosopher” which is partially sponsored by the Brazilian
Government.
<o:p></o:p></span></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Technical Requirements: a Datashow Projector.<b> </b><o:p></o:p></span></div>
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<b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Bio</span></b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Matteo Bonfitto is an Italian-Brazilian performer, theatre director and
an interdisciplinary researcher. PhD: Royal Holloway University of London,
England. Master: State University of São Paulo, Brazil. Undergraduate:
Università Degli Study di Bologna, Italy. He is one of the founders of the
Artistic Collective PERFORMA TEATRO (</span><span lang="FI"><a href="http://www.performateatro.org/"><span lang="EN-GB" style="color: #0000e9; font-family: "times new roman"; mso-ansi-language: EN-GB;">www.performateatro.org</span></a></span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">) and he is
currently teaching at State University of Campinas – Drama Department, in
Brazil. Besides the performances presented in Brazil, Chile, France, England
and Italy, he is the author of various articles and books: <i>The Actor as a
Composer; Between the Actor and the Performer </i>and <i>The Kinetics of the
Invisible. Acting Processes in Peter Brook’s Theatre, </i>the latter recently
published in English by Peter Lang. <o:p></o:p></span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Katherine Mezur,</span></b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"> University of
California Berkeley, CA.<o:p></o:p></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">J-POP <i style="mso-bidi-font-style: normal;">Kawaii</i> (Cute): Attraction, Estrangement,
and Addiction in the Super-Saturated Performances of Live and Virtual Girls <o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">In contemporary Japanese popular culture, girl bands and 3D girl idols
dominate the live and virtual stages of urban Japan, global J-POP festivals,
and online performance cultures. They play on the super-cute girl, <i style="mso-bidi-font-style: normal;">kawaii shôjo</i>, aesthetics of visual and
kinaesthetic super-saturated sweetness, soft-porn attraction, and untouchable
adorability. Their performances of deafening sound and blinding projections,
matched with driving repetitive gestural choreography, expose how their gush
and glut of sensuous overload, casts their audiences into trance-like patterns
of calls, waves, and sighs. On the most extreme ends of girl performance, the
3D virtual girl vocaloids draw deep devotion from their fans. These <i style="mso-bidi-font-style: normal;">kawaii shôjo</i> acts raise questions
concerning overload in the current social and political vacuum. Drawing on
Donna Haraway's cyborgs, Thomas Lamarre's anime machines, and new media
dramaturgy, how do these vocaloid and J-Pop<i style="mso-bidi-font-style: normal;">
kawaii shôjo</i> expose a disturbing vacuum and fragility in society? Is this
addiction to overloaded sweetness liberating or suffocating? Is this another
failed future?<o:p></o:p></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Bio<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Mezur, Katherine. Lecturer, Departments of English, Comparative
Literature, UC Berkeley; Assoc. Researcher, SF Museum of Performance and
Design. <i style="mso-bidi-font-style: normal;">Critical Choreographies and
Corporeal Politics: Dancing East Asia</i>, with Emily Wilcox, (2018), "</span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB; mso-bidi-font-size: 17.0pt;">Stranger Communities: Art Labour and Berliner <i>Butoh</i><span style="mso-bidi-font-style: italic;">." </span></span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">"dumbtype's
Wonder Women: Corporeal Affect and Medial Precarity," (Eckersall and
Fujii, ed.)</span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB; mso-bidi-font-size: 7.0pt;">, <i style="mso-bidi-font-style: normal;">Beautiful Boys/Outlaw
Bodies: Devising Kabuki Female-likeness.</i></span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"><o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="FI" style="font-family: "times new roman";">kmezur@sbcglobal.net<o:p></o:p></span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Beau Coleman,</span></b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"> University of
Alberta.<o:p></o:p></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">High Tide</span></b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"> (performance)<o:p></o:p></span></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">For the Artist Research Working Group, I propose to do a thirty minute
presentation (w/discussion) of my performance <i style="mso-bidi-font-style: normal;">High Tide</i>,<i style="mso-bidi-font-style: normal;"> </i>in which<i style="mso-bidi-font-style: normal;"> </i>I will use the Hamburg harbor, site of <i style="mso-bidi-font-style: normal;">Festival Theater der Welt</i> as the source
for stimuli; each day absorbing the sites, sounds and vocal fragments located
at the festival. I will then bring these memories back to PSi #23: <i style="mso-bidi-font-style: normal;">Overflow</i> and use the mediums of words,
movement, drawing and tracing to create the performance.<span style="mso-spacerun: yes;"> </span>What sifts through and is left in the space? What
is forgotten?<o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">High Tide</span></i><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"> can be performed
either as a one-time event or as part of a daily practice, i.e. returning to
the studio each day to create anew and build upon the memories of the last
performance.<span style="mso-spacerun: yes;"> </span>Ideally for PSi #23: <i style="mso-bidi-font-style: normal;">Overflow </i>I would like to present <i style="mso-bidi-font-style: normal;">High Tide </i>as a daily performance
practice.<span style="mso-spacerun: yes;"> </span>If that is not possible, a
one-time presentation will also be effective.<span style="mso-spacerun: yes;">
</span><o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Bio<o:p></o:p></span></b></div>
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<span style="color: #101010; font-family: "times new roman"; mso-ansi-language: EN-GB;">Beau Coleman is a multidisciplinary artist whose work
has been performed and/or exhibited across North America, Europe and in parts
of Africa, Australia and Asia. She has made works for a diverse range of
locations and contexts, whether they were situated in galleries, theatres,
suspended over rivers or projected onto buildings. Previous creations include
theatre, live art, digital media, site-specific performance, dance, video and
new media installation. Themes of isolation, suspension, intimacy and loss are
interrogated in her work. </span><span style="color: black; font-family: "times new roman"; mso-ansi-language: EN-GB;">Recent performances and exhibitions
include <i style="mso-bidi-font-style: normal;">High Tide </i>Canada, <i>Let Me
Tell You That I Love You </i>(Distant Islands) (Copenhagen, Denmark, Torshaven,
Faroe Islands & Nuuk, Greenland 2015), <i>Let Me Tell You That I Love You </i><span style="mso-bidi-font-style: italic;">(Nuit Rose, </span>Toronto, 2014), <i>These
Are Not My Mother’s Hands </i>(Trinity Square Video, Toronto 2013) and <i>Clock
Piece </i>(GlougAIR, Month of Performance Art Festival, Berlin, 2012), <i style="mso-bidi-font-style: normal;">The Gertrude Stein Project </i>(University
of Alberta, Edmonton, Canada). She is currently working on a series of
performances focusing on the ‘act of forgetting’.<span style="mso-spacerun: yes;"> </span></span><span style="color: #101010; font-family: "times new roman"; mso-ansi-language: EN-GB;">Beau received her training at the
National Theatre School of Canada and is a graduate of the Yale School of
Drama. She is on faculty at the University of Alberta where she is the Coordinator
of the MFA Directing Program and specializes in theatre, interdisciplinary
performance and live art.</span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"><o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Birgitte
Bauer-Nilsen,</span></b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"> University of Stavanger, Norway.<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="color: #262626; font-family: "times new roman"; font-size: 11.0pt;">Siku Aappoq/Melting Ice – a performative intercultural installation in
the meeting between Scandinavian and Greenlandic artists. <span style="mso-spacerun: yes;"> </span></span></b><span style="color: #262626; font-family: "times new roman"; font-size: 11.0pt;">(30 min)<b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></div>
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<span style="color: #262626; font-family: "times new roman"; mso-ansi-language: EN-GB;">The focal point is the Greenlandic and Scandinavian
perspectives of the consequences of the melting ice in relation to global
climate change. Bodily experience and knowledge about the climate change have
been leading elements in the process and the investigation to make the
installation. <o:p></o:p></span></div>
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<span style="color: #262626; font-family: "times new roman"; mso-ansi-language: EN-GB;">In the creative process, a cross-artistic dialogue has
taken place. In dance, music and installation and through the physical
presence, we have created a trans-local dialogue. We have worked with shaman's
songs from Greenland, the iceberg related to the Inuit culture and the human
imbalance with the nature and the response from the nature to this imbalance.
The development of the intercultural space – a performance – contributes to
create a frame and articulate a dialogue for a community, a trans-local
temporal space. This means that frames are created during the course of the
process. In other words, the frame changes with the temporary community it
defines and creates new global dialogue. I will address this intercultural
artistic dialogue. Its content is a complex cultural meeting within the
concept, the experience in the dynamic, as well as time and space for the
artist and the audience. <o:p></o:p></span></div>
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<span style="color: #262626; font-family: "times new roman"; mso-ansi-language: EN-GB;">I have collaboration with professor Pam Burnard and
her team from University of Cambridge about performative questions to climate
change and the research in Melting Ice.<o:p></o:p></span></div>
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<span style="color: #262626; font-family: "times new roman"; mso-ansi-language: EN-GB;">Melting Ice; Concept and choreographer: Birgitte
Bauer-Nilsen, Composer and musician: Casten Dahl, Vocal: Aviaja Lumholdt,
Dancers: Thomas Johansen and Alexander Montgomy-Andersen, Installations artist:
Marianne Grønnow, Light design: Jesper Kongshaug. <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Bio<o:p></o:p></span></b></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Ph.D., associate professor, choreographer Birgitte Bauer-Nilsen has made
intercultural performances in India, Vietnam, China, Tanzania, Greenland and
Europe with her dance ensemble, Yggdrasil Dance. Furthermore Birgitte has given
workshop/lectures at universities in Europe and Asia. Birgitte is an associate
professor at the University of Stavanger, Norway. For more information
Yggdrasildance.dk<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Anne Robinson</span></b><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">,
Middlesex University.<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="color: black; font-family: "times new roman"; mso-ansi-language: EN-US;">If I Sleep, I May Be Caught<o:p></o:p></span></i></b></div>
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<span lang="EN-US" style="color: black; font-family: "times new roman"; mso-ansi-language: EN-US;">If I sleep, I may yet dream. If we sing,
we may be heard. </span><span lang="EN-US" style="color: #232323; font-family: "times new roman"; mso-ansi-language: EN-US;">The sea, always in motion: and voices
fluid. </span><span lang="EN-US" style="color: black; font-family: "times new roman"; mso-ansi-language: EN-US;">Borders in the sea are an impossibility and we may
overflow them. </span><span lang="EN-US" style="color: #232323; font-family: "times new roman"; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="color: #232323; font-family: "times new roman"; mso-ansi-language: EN-US;">Wakeful
</span></i><span lang="EN-US" style="color: #232323; font-family: "times new roman"; mso-ansi-language: EN-US;">is a new, experimental work in progress, which aims to
commemorate peace 100 years on and facilitate participation in discussions
about loss, trauma, war, songs, inter-generational memory and pacifism. In the
international space of PSi at the sea port of Hamburg, I wish to discuss and
get feedback for this work in progress and also engage in a song ritual at the
port.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #232323; font-family: "times new roman"; mso-ansi-language: EN-US;">'If I Sleep, I May be Caught’ was the
motto of a ship named <i style="mso-bidi-font-style: normal;">Wakeful </i>on
which my<i style="mso-bidi-font-style: normal;"> </i>father was ship’s cook,
built on ‘Red Clydeside’ in 1917 and sent off immediately following the WW1Armistice,
to engage the 'Red Navy' in the Gulf of Finland. </span><span lang="EN-US" style="color: black; font-family: "times new roman"; mso-ansi-language: EN-US;">My
father was traumatized but largely silent about his war experience, apart from
one single, stark memory of Russian sailors in the ice… his revulsion at the
destruction of others resonates now with Tolstoy's work of 1893: The Kingdom of
God is Within You. On Xmas Day 1918 in Tallinn harbor, a concert took place on
board <i style="mso-bidi-font-style: normal;">Wakeful</i>. Museum-archived
journals recall sewing sequins on frocks for sailors and music-hall songs.
Amidst cold, hunger and the threat of bombardment, the ship’s crew played and
sang. In the handwritten programme, I found tunes remembered from my father
singing. I can hear them now: resonance in flesh and bone. Leading in to 1918,
I will </span><span lang="EN-US" style="color: #232323; font-family: "times new roman"; mso-ansi-language: EN-US;">work with Russian, Estonian and German performers to
explore the effects of cold and trauma on the voice and the percussive sound of
shipbuilding. One hundred years on and our seas are still the site of conflict
and prejudice, still carry refugees through contested waters.</span><span lang="EN-US" style="color: black; font-family: "times new roman"; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: black; font-family: "times new roman"; mso-ansi-language: EN-US;">Bio<o:p></o:p></span></b></div>
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<span lang="EN-US" style="color: #343434; font-family: "times new roman"; mso-ansi-language: EN-US;">Anne Robinson’s experimental practice is
concerned with the perception and politics of time passing: duration, frame,
exposure, sound and movement. She holds a practice-led PhD on temporality and
art. Recent projects include: Inspiral London: a walking project on occupying
urban space, Inside Out Blues for ‘Capital of Culture’ Marseilles, Thrashing in
the Static in Pool at CGP London, Deptford X and Folkestone. Ghost On the Wire
a Bermonsdsey Project Space and Objectifs, Singapore. She has participated in
PSi since 2012, presenting: Enlarger Than Life: Song-Films and Irrational
Gestures at PSi20 Shanghai and Phonogenie for PSi21 Fluid Sounds, Copenhagen
with an audio paper for Seismograf journal. Recent publications include: See
Red (Four Corners Books, 2016). She is currently Programme Leader for Media
Foundation at Middlesex University.<o:p></o:p></span></div>
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<span lang="EN-US" style="color: #021eaa; font-family: "times new roman"; mso-ansi-language: EN-US;">www.annerobinsonartwork.org</span><span lang="FI" style="font-family: "times new roman";"><o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Gry Worre
Hallberg</span></b><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">, independent artist. <o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Sensuous Learning and The Poetic Self</span></b><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;"><o:p></o:p></span></b></div>
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<i><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Sisters Academy, Radical Live Intervention into the
Educational System.</span></i><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;"> Sisters Academy is a performance experiment in search
of a society and educational system that values the sensuous and the poetic – A
1:1 experimentation of the school in a potential future world that we term
Sensuous Society. When we manifest we take over the actual leadership of a
series of upper secondary schools, which we transform completely through
immersive and interventionist strategies. We work from a
performance-methodology of developing a ‘poetic self’. The poetic self is not a
character, it is not a fiction; we define it as our inherent poetic potential
that we might not unfold in our everyday life but that we discover, give an
image and donate our flesh to. By doing so we experience an expanding spectrum
of possibilities, new spaces in which we can be. We don’t change; we liberate
new potential; we expand – Overflow, perhaps...<i><span class="msoIns"><ins cite="mailto:Arlander,%20Annette" datetime="2017-01-20T13:49"><o:p></o:p></ins></span></i></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"><span class="msoIns"><ins cite="mailto:Arlander,%20Annette" datetime="2017-01-20T13:49">Bio</ins></span><o:p></o:p></span></b></div>
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<span style="mso-ansi-language: EN-GB;">Gry Worre Hallberg operate in the intersection of performance art,
research, activism and future studies continuously executed in 1:1 co-created
experiments such as <a href="http://sistersacademy.dk/" target="_blank">Sisters
Academy</a>, <a href="http://sensuous.dk/domeofvisions.dk" target="_blank">Dome
of Visions</a>,<span style="mso-spacerun: yes;"> </span>and <a href="http://sensuous.dk/in100y.dk" target="_blank">In100Y</a>. Currently work
on the project <a href="http://sensuoussociety.org/" target="_blank">The
Sensuous Society</a>: Beyond economic rationality – Suggesting a sensuous mode
of being in the world. For many years she has aimed at enriching environments
with an aesthetic dimension through interventionist, interactive and immersive
performance art strategies. Gry is the co-founder of a range of organizations
and movements within the field of performance art applied in a series of
different everyday-life contexts, among them <a href="http://sistersacademy.dk/" target="_blank">Sisters Hope</a> (ongoing project:<a href="http://sistersacademy.dk/" target="_blank"> Sisters Academy</a>), </span><span lang="TR"><a href="http://www.houseoffutures.dk/"><span lang="EN-GB" style="mso-ansi-language: EN-GB;">House of Futures</span></a></span><span style="mso-ansi-language: EN-GB;">, <a href="http://sensuous.dk/fictionpimps.com" target="_blank">Fiction Pimps</a>, <a href="http://sensuous.dk/clubdelafaye.wordpress.com" target="_blank">Club de la
Faye</a>, <a href="http://sensuous.dk/t-in-b.dk" target="_blank">Staging
Transitions</a> and <a href="http://sensuous.dk/thepoeticrevolution.com" target="_blank">The Poetic Revolution</a>.<o:p></o:p></span></div>
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<span style="mso-ansi-language: EN-GB;">Gry is a member of the global, urban network <a href="http://theatrum-mundi.org/" target="_blank">Theatrum Mundi </a>initiated
by prof. and urbanist <a href="http://en.wikipedia.org/wiki/Richard_Sennett" target="_blank">Richard Sennett</a> (NYU and LSE) and have completed several
projects, articles and publications on intervening and relational performance
art and new societies. Also see <a href="http://sensuous.dk/?page_id=74" target="_blank">here</a>.<o:p></o:p></span></div>
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<span style="mso-ansi-language: EN-GB;">Gry is currently conducting a practice-based PhD at the University of
Copenhagen, </span><span lang="TR"><a href="http://kunstogkulturvidenskab.ku.dk/"><span lang="EN-GB" style="mso-ansi-language: EN-GB;">Department of Arts and Culture</span></a></span><span style="mso-ansi-language: EN-GB;">, Theatre- and Performance Studies, and is an
external lecturer at <a href="http://www.ruc.dk/uddannelse/fag/performance-design/" target="_blank">Performance
Design</a> at Roskilde University. She carries a MA in Theatre- and Performance
Studies from The University of Copenhagen and Universidade Federal do Rio de
Janeiro. <o:p></o:p></span></div>
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<span style="mso-ansi-language: EN-GB;">Gry is also curating the performance-art program at the </span><span lang="TR"><a href="http://roskilde-festival.dk/"><span lang="EN-GB" style="mso-ansi-language: EN-GB;">Roskilde festival</span></a></span><span style="mso-ansi-language: EN-GB;"> and is the artistic director of the </span><span lang="TR"><a href="http://domeofvisions.dk/"><span lang="EN-GB" style="mso-ansi-language: EN-GB;">Dome of Visions</span></a></span><span style="mso-ansi-language: EN-GB;">.<o:p></o:p></span></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">For an overview of her activities please see: </span><span lang="FI"><span lang="EN-GB" style="font-family: "times new roman"; mso-ansi-language: EN-GB;"><a href="http://www.sensuous.dk/">http://www.sensuous.dk</a></span></span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"><br style="mso-special-character: line-break;" /></span></div>
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<span lang="FI"><br /></span></div>
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<b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Sarah Blissett, </span></b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">University of Roehampton, UK: <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><i><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Tidal Tea</span></i></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"> <o:p></o:p></span></b></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">A performative food-based sharing, joining together a range of
ingredients, human and nonhuman, through the pouring and eating of seaweed
broth. An invitation to taste the ocean and reflect on ecological
narratives around human consumption, marine ecosystem collapse and the role we
play in these processes. This 10-minute sharing is part of my PhD research,
investigating Food and Ecology in Performance, focusing on interspecies
connections through food webs and exploring algae organisms in performance.<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Bio<o:p></o:p></span></b></div>
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<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Sarah Blissett is an Artist/Researcher and Performance Studies PhD
candidate at University of Roehampton. Her PhD research investigates Food and
Ecology in Performance, through a study of algae organisms and ecosystems,
engaging with posthuman notions of performativity, intra-activity and
transdisciplinary performance practice. </span><span lang="FI"><a href="mailto:blissets@roehampton.ac.uk%7C"><span lang="EN-GB" style="color: #0000e9; font-family: "times new roman"; mso-ansi-language: EN-GB;">blissets@roehampton.ac.uk|</span></a><a href="http://sarahblissett.wix.com/work"><span lang="EN-GB" style="color: #0000e9; font-family: "times new roman"; mso-ansi-language: EN-GB;">http://sarahblissett.wix.com/work</span></a></span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"><o:p></o:p></span></div>
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<b><span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-ansi-language: EN-US;">Ray Langenbach, </span></b><span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;">University of the Arts Helsinki<b><o:p></o:p></b></span></div>
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<b><span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-ansi-language: EN-US;">Performance Paper:</span></b><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;"> <i><span style="color: #333333; mso-bidi-font-weight: bold;">Hyper-connecting</span></i><span style="color: #333333; mso-bidi-font-weight: bold;"> <i>the Mnemosyne Atlas</i></span><o:p></o:p></span></b></div>
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<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-ansi-language: EN-US;">Between 1927 – 1929, Aby M. Warburg
developed his <i>Mnemosyne Atlas</i> in his circular library in Hamburg. The <i>Atlas</i>
included around 2000 images, which were mounted on black cloth-covered boards
in “visual clusters” based on the associative affinities between specific
iconic art works and nodes of visual culture, substantially presented without
the intervention of the spoken word. Warburg was interested in visual and
historical contiguities, cultural continuities/discontinuities: the
hyper-connective tissues of sensibility cohering cultures, signs, images.
Warburg’s work was picked up in a different register by the idiosyncratic
late-structuralist Russian Jewish historian Leo Bronstein in his <i>Fragments
of Art, Metaphysics and Life,</i> and other works. All of Bronstein’s
works maintain a thread of archaeological performativity strongly evident in
Warburg’s <i>Atlas</i>. A reading will be presented of the psychotropic
excesses of consciousness in Bronstein’s <i>Fragments </i>and Warburg's <i>Atlas</i>,
as part of a broader consideration of the immersive cognitive complements of
order-disintegration, memory-dementia-dismemberment. <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="color: #333333; font-family: "times new roman"; mso-ansi-language: EN-US;">(This paper may be presented in either
in either a 30<span class="msoIns"><ins cite="mailto:Annette%20Arlander" datetime="2016-10-22T08:43">-</ins></span>minute or 15 minute form.) <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<b style="mso-bidi-font-weight: normal;"><span lang="FI" style="font-family: "times new roman";">Bio<br />
</span></b><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US; mso-fareast-language: EN-US;">Dr. Ray Langenbach, professor of performance
art and theory, University of the Arts Helsinki, Theatre Academy and Star
Foundation Professor, Faculty of Creative Industries, Tunku Abdul Rahman
University, Malaysia, a performance artist, event convener and scholar who is
dividing his time between practice and theory in Finland and Malaysia. He
served as Co-convener of the Asian Performance Research Workshop in Penang
(2003), and the Performance Studies international Conference in Singapore
(2004). He has curated several other Performance Art festivals and Biennales in
Asia and Europe. <o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Hanna Järvinen,</span></b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"> University of
the Arts Helsinki, Theatre Academy.<o:p></o:p></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Excess and
Abundance in Documentation<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">I will present on a 2015-2016 choreographic research project based on archival
materials – documents of not only a past performance but of plans for a past
performance, documents describing a performance prior to its first performance.
This performance about the re-performance of a past performance disturbs the
chronology of what was first, event or its documentation, and questions how we
define documentation and its role vis à vis performance. Although the archive
is usually seen as insufficient for any re-creation of a past performance, in
the process of re-imagining what might have been, the collaborators in this
project found that even the few traces that remain create an over-abundance of
possibilities. At the same time, creating a new performance of a performance
about a performance inverts the relationship of document and performance asking
what is the significance of past performance and documentation in the present
and what is the role of the absences and silences in allowing for
epistemological inquiry about performance, documents, and re-performance?<o:p></o:p></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Bio<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Dr Hanna Järvinen is a Senior Researcher in the Academy of Finland
research project How to Do Things with Performance? 2016-2020 and a University
Lecturer at the Performing Arts Research Centre of the University of the Arts
Helsinki, Finland. She holds the title of Docent in dance history at the
University of Turku and is the author of <i style="mso-bidi-font-style: normal;">Dancing
Genius </i>(Palgrave Macmillan 2014) as well as articles in journals such as <i style="mso-bidi-font-style: normal;">Senses and Society</i>, <i style="mso-bidi-font-style: normal;">Dance Research</i>, and <i style="mso-bidi-font-style: normal;">Dance
Research Journal</i>.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Pilvi Porkola</span></b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">, University of
the Arts Helsinki, Theatre Academy.<o:p></o:p></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Performance and
Institutions</span></b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">This presentation explores how the performative turn can be understood
in the context of public institutions: in a library, an elementary school, and
an art museum. I am interested in what kind of performing, performances, and
actions these institutions produce; how institutions can be understood as
experimental places; and what performance art can do in that context. In this
presentation I focus on my project <i style="mso-bidi-font-style: normal;">Library
Essays</i>, a series of audio performances taking place at the Maunula Library,
Helsinki, in 2016-17, and on questions of public and liminal spaces in real and
imagined places. <o:p></o:p></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Bio<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Pilvi Porkola has a Doctor of Art (theatre and drama) and is a
performance artist, writer and the founder of magazine <i style="mso-bidi-font-style: normal;">Esitys.</i> Among other things she has taught performance, contemporary
theatre and performance studies as well as written and directed several
performances and short films. <b style="mso-bidi-font-weight: normal;"><o:p></o:p></b></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Tero Nauha,</span></b><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"> Helsinki
Collegium for Advanced Studies. <o:p></o:p></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Thought of
Performance<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">This presentation connects with schizoanalysis and posthuman philosophy.
My aim is to investigate the non-philosophical reading of ‘the decision’ in
relation to performance art practice and political theory. The decision is a
gesture of thought, which cuts matter through analysis, reduction, and
withdrawal. Through decisional devices jurisprudence and philosophy allocate
meaning for the exception: a victim, refugee, migrant, etc. In short, a crisis
is a decisional operation. The presentation focuses on 1) how a decisional cut
produces an event and 2) how performance as a practice may produce excess and
exception.<o:p></o:p></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Bio<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Tero Nauha, performance artist and visual artist, holds a Doctor of
Art (theatre and drama). Nauha’s doctoral dissertation at the Theatre
Academy of the University of the Arts Helsinki took a critical look at the
relationship between artistic work and immanent capitalism. Nauha’s artistic
work has been performed at several theatres and festivals both in Finland and
around Europe.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="FI" style="font-family: "times new roman";">Bruce Barton, </span></b><span lang="FI" style="font-family: "times new roman";">University of Calgary.<b style="mso-bidi-font-weight: normal;"><span class="msoIns"><ins cite="mailto:Annette%20Arlander" datetime="2016-10-21T07:52"><o:p></o:p></ins></span></b></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Excessively
Intimate / Intimate Excess: The <i style="mso-bidi-font-style: normal;">Trace </i>That
Remains (and Doesn’t)<o:p></o:p></span></b></div>
<div class="MsoNormal">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Trace</span></i><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"> (2014) was a
ghost telling, a highly intimate exchange between 2 performers and a small
group of audience participants (10 – 40), a structured sharing of
sensory-triggered memories that engaged each audience member individually,
leading to an always unique and thoroughly collective narrative experience. <i style="mso-bidi-font-style: normal;">Trace</i> (2017) will share many of the same
characteristics as its 2014 counterpart—with the critical difference that it
will be performed to/for/with up to 125 audience participants in an
international festival context. My company, Vertical City, is currently
attempting to reimagine the 2014 understanding of the performance for 2 or 3
times as many people without sacrificing the highly individualized orientation
of the original configuration. As one of the performers has framed it, “We have
to learn how to fall in love with 125 people at once.” My presentation will
introduce the strategies employed in the original production and explore how
these are being modified, expanded, and reinvented to embrace the production’s
current mandate.<o:p></o:p></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Bio</span></b><b style="mso-bidi-font-weight: normal;"><span lang="FI" style="font-family: "times new roman";"><span class="msoIns"><ins cite="mailto:Annette%20Arlander" datetime="2016-10-21T07:52"><o:p></o:p></ins></span></span></b></div>
<div class="MsoNormal" style="mso-hyphenate: none; tab-stops: -36.0pt 0cm 36.0pt 64.8pt 100.8pt 144.0pt 201.6pt 216.0pt 252.0pt 288.0pt 324.0pt 360.0pt 396.0pt 432.0pt 468.0pt 504.0pt 540.0pt 576.0pt;">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Bruce Barton is a
creator/scholar whose practice-based research and teaching focuses on physical
dramaturgies in devised, immersive and intermedial performance. He has
published in a wide range of scholarly and practical periodicals, including <i style="mso-bidi-font-style: normal;">Performance Research, TDR, Theatre Journal</i>,
and <i style="mso-bidi-font-style: normal;">Theatre Topics</i>, as well as
numerous national and international essay collections. His book publications
include <i style="mso-bidi-font-style: normal;">At the Intersection Between Art
and Research </i>(2010), and <i style="mso-bidi-font-style: normal;">Collective
Creation, Collaboration and Devising</i> (2008). Bruce is also an award-winning
playmaker who works extensively as a director, writer and dramaturg with many
of Canada’s most accomplished physical performance companies. He is the
Artistic Director of Vertical City, an interdisciplinary performance hub
located in Calgary. In January 2015, Bruce became the first Director of the new
School of Creative and Performing Arts at the University of Calgary. For a full
bio see </span><span lang="FI"><a href="http://brucewbarton.com/about-3/"><span lang="EN-GB" style="font-family: "times new roman"; mso-ansi-language: EN-GB;">http://brucewbarton.com/about-3/</span></a></span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">. For information
about Vertical City, see </span><span lang="FI"><a href="http://brucewbarton.com/vertical-city/"><span lang="EN-GB" style="font-family: "times new roman"; mso-ansi-language: EN-GB;">http://brucewbarton.com/vertical-city/</span></a></span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="FI" style="font-family: "times new roman";">Johanna Householder, </span></b><span lang="FI" style="font-family: "times new roman";">OCAD University, Toronto.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Live Streaming<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Taking into account the ubiquity of live streaming
attempts (if not successes), this performance-studio-action-interaction will
encourage a reconsideration of screen space through small performance gestures.</span><b style="mso-bidi-font-weight: normal;"><span lang="FI" style="font-family: "times new roman";"><o:p></o:p></span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Bio<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "times new roman"; mso-ansi-language: EN-US;">Johanna Householder works through performance, dance,
feminist theatre (The Clichettes), video and intermedia art. Her interest in
how ideas move through bodies has led her largely collaborative practice. She
recently performed at <i>Performancear o Morir </i>in Chihuahua,
at <i>undisclosed territory</i> in Java, at M:ST in Calgary, AB and
reset her 1978 solo on dancers at Toronto Dance Theatre and the Art Gallery of
Ontario (AGO). She is a founder of the 7a*11d International Festival of
Performance Art which held its 11th biennial in October. She has two books
edited in collaboration with Tanya Mars: <i>Caught in the Act: an anthology of
performance art by Canadian women</i> (2005); and <i>More Caught in the Act: an
anthology of performance art by Canadian women</i>; Artexte, Montréal /
YYZBooks (2016) and with Selma Odom contributed to <i>Renegade Bodies: Canadian
Dance in the 1970s</i> (2012). She is a Professor at OCAD University.</span><b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"><o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="FI" style="font-family: "times new roman";">Annette Arlander,</span></b><span lang="FI" style="font-family: "times new roman";"> </span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">University of the Arts Helsinki,
Academy of Fine Arts.<o:p></o:p></span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">How to do things
with performance – Performing with plants (first attempts)<o:p></o:p></span></b></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">To perform and co-operate with plants and especially trees is an artistic
research project, which develops and specifies the question How to perform
landscape today?, a question I have worked with in various forms during several
years. The question is not rhetorical; our relationship to the environment has
dramatically changed due to global warming and other more or less manmade
disasters<span class="msoIns"><ins cite="mailto:Annette%20Arlander" datetime="2016-10-21T07:56">,</ins></span> and demands new approaches. A
posthumanist perspective prompts us to rethink the notion landscape and to
consider how the surrounding world consists of creatures, life forms and material
phenomena with varying degrees of volition, needs and agency. What forms of
performing, realizing or activating landscape could be relevant in this
situation? One possibility is to approach individual elements in a landscape,
such as specific trees, and explore what can be done together with them, for
instance how to perform for camera together. This presentation will briefly
describe my first attempts within this project, look at the role of repetition
as a key strategy in performance, and demonstrate how the simplest digital
documentation produces an overflow of material over time.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Bio<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span lang="FI"><a href="http://www.uniarts.fi/en/annette-kristina-arlander"><span lang="EN-GB" style="font-family: "times new roman"; text-decoration: none;">Annette Arlander</span></a></span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"> is an artist,
researcher and a pedagogue. She is one of the pioneers of Finnish performance
art and a trailblazer of artistic research. She is educated as theatre
director, Master of Arts and Doctor of Art (theatre and drama). She was
professor of performance art and theory (2001-2013) at the University of
the Arts Helsinki Theatre Academy and professor of artistic research
(2015-2016). At present she is visiting researcher at Academy of Fine Arts,
University of the Arts Helsinki and artist-researcher at Helsinki Collegium for
Advanced Studies. See </span><span lang="FI"><a href="https://annettearlander.com/"><span lang="EN-GB" style="font-family: "times new roman"; mso-ansi-language: EN-GB;">https://annettearlander.com</span></a></span><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">Technical and
spatial requirements:<o:p></o:p></span></b></div>
<div class="MsoNormal">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">For the purposes of these sessions we need a studio space (a room with
free floor space to move in), the ability to show video and image presentations
on a screen or monitor (including sound), and internet access for accessing the
online Research Catalogue.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">We plan for three separate sessions of minimum 90 minutes each. All
sessions will be open to anyone interested; all artists and artist-scholars attending
the conference are invited to join us and give short reports/presentations.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "times new roman"; mso-ansi-language: EN-GB;">On behalf of the working group,<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="FI" style="font-family: "times";">Annette Arlander: </span><span lang="FI"><a href="mailto:Annette.arlander@uniarts.fi"><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">annette.arlander@uniarts.fi</span></a></span><span style="font-family: "times"; mso-ansi-language: EN-GB;"> <o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="FI" style="font-family: "times";">Bruce Barton: </span><span lang="FI"><a href="mailto:bruce.barton@ucalgary.ca"><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">bruce.barton@ucalgary.ca</span></a></span><span style="font-family: "times"; mso-ansi-language: EN-GB;"><o:p></o:p></span></div>
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<span lang="FI" style="font-family: "times"; font-size: 12.0pt;">Johanna Householder: </span><span lang="FI" style="font-family: "cambria"; font-size: 12.0pt;"><a href="mailto:jact@sympatico.ca"><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">jact@sympatico.ca</span></a></span><!--EndFragment-->
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-80591807224796395352016-09-28T08:05:00.000+03:002016-09-28T11:52:27.512+03:00Excess and Abundance of Artistic Research<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">CALL FOR PROPOSALS <o:p></o:p></span></b></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">Performance Studies
international #23 / Hamburg, Germany / 8 – 11 June 2017<o:p></o:p></span></b></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<h4 style="text-align: left;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">Excess and Abundance of Artistic
Research</span></b></h4>
</div>
<div class="MsoNormal">
<span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">A project of the Artistic Research Working Group of PSi<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">Inspired by the announced theme for PSi #23 – “OverFlow” – the Artistic
Research Working Group proposes to build upon but also exceed the ambitious but
contained model of the “Porous Studio,” its established practice over the past
several conferences. An open invitation to PSi member artists and local
practitioners from the shifting conference locations, the Porous Studio has
always been seen as a space of intermixing, contamination, and multiplicity. For
2017 we propose overflowing the fixed spatial and temporal zones of PSi #23
through extended sessions in Hamburg and pre- and post-conference online (and,
potentially, actual) exchange and collaboration via the international Research
Catalogue database (https://www.researchcatalogue.net/portal).<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "times"; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">Artistic Research is meant as an umbrella concept
that includes a range of approaches that use art, creative practice or
performance as a primary means and method of inquiry. These include the
distinct approaches 'performance as research' (PaR), 'practice-based research'
(PBR), ‘practice-led research, ‘creative arts research’, 'research-creation',
'arts-based research', and numerous other associated practices. In many cases,
the subject of study is artistic practice itself, as in 'artistic inquiry’. In
others, creative practice is used as a way of investigating non-artistic (or
not exclusively artistic) subjects. Our aim is to invite a broad spectrum of
these approaches, drawn from within and beyond academic and institutional
contexts, to reflect the diverse and vital overflow of orientations, perspectives,
and approaches to research in contemporary art. Through presentations,
performances, articulations and conversation, we aim to showcase vital examples
of this activity internationally, and to expand our collective horizons through
the sharing of knowledge(s) and experience(s).<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-US" style="font-family: "times"; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica;">The Artistic Research Working Group invites
proposals from past, current, and prospective members. Participation can take <b style="mso-bidi-font-weight: normal;">one of two forms</b>:<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-GB" style="font-family: "times"; text-indent: -18pt;"><span style="mso-list: Ignore;"><span style="font-family: "times new roman"; font-size: 7pt; line-height: normal;"><br /></span></span></span>
<br />
<ul style="text-align: left;">
<li><span lang="EN-GB" style="font-family: "times"; text-indent: -18pt;">Ten-minute reports
of on-going artistic investigations or artistic research projects, presented
onsite in Hamburg and augmented by material shared online in advance of the
presentation.</span></li>
<li><span lang="EN-GB" style="font-family: "times"; text-indent: -18pt;">Thirty-minute
project presentations or participatory workshops, performances or events,
conducted onsite in Hamburg and augmented by material shared online in advance
of the event.</span></li>
</ul>
</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">All contributors will be invited to register on the Research Catalogue
and establish an individual page on the Artistic Research Working Group site
within the database. This will be a closed forum for exchange prior to and
following the conference, and we can explore the option of publishing some
materials after the gathering as a form of public conference proceedings. Members
who will not be able to attend in Hamburg can also submit online presentations
or contributions that will be uploaded on the Research Catalogue and shared
with the other WG members on an on-going basis.<o:p></o:p></span></div>
<div class="MsoNormal">
<span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">The theme of “OverFlow” will be served by the very diversity of our collected
approaches, but members may also choose to address it directly through some
aspect of their conference participation.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">All proposals should contain the following:<o:p></o:p></span></div>
<div class="MsoNormal">
<br />
<ul style="text-align: left;">
<li><span lang="EN-GB" style="font-family: "times"; text-indent: -18pt;"><span style="mso-list: Ignore;"><span style="font-family: "times new roman"; font-size: 7pt; line-height: normal;"> </span></span></span><span lang="EN-GB" style="font-family: "times"; text-indent: -18pt;">participant’s name;</span></li>
<li><span style="font-family: "times"; text-indent: -18pt;">title of contribution;</span></li>
<li><span lang="EN-GB" style="font-family: "times"; text-indent: -18pt;"><span style="mso-list: Ignore;"><span style="font-family: "times new roman"; font-size: 7pt; line-height: normal;"> </span></span></span><span lang="EN-GB" style="font-family: "times"; text-indent: -18pt;">type of contribution
(i.e., which of the three above categories);</span></li>
<li><span lang="EN-GB" style="font-family: "times"; text-indent: -18pt;"><span style="mso-list: Ignore;"><span style="font-family: "times new roman"; font-size: 7pt; line-height: normal;"> </span></span></span><span lang="EN-GB" style="font-family: "times"; text-indent: -18pt;">institutional affiliation
(if applicable);</span></li>
<li><span style="font-family: "times"; text-indent: -18pt;">a 150 word
description of the project/activity being showcased;</span></li>
<li><span lang="EN-GB" style="font-family: "times"; text-indent: -18pt;"><span style="mso-list: Ignore;"><span style="font-family: "times new roman"; font-size: 7pt; line-height: normal;"> </span></span></span><span lang="EN-GB" style="font-family: "times"; text-indent: -18pt;">any technical or
production requirements.</span></li>
</ul>
</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">Please send proposals by<b style="mso-bidi-font-weight: normal;"> 15 October
2016</b> to <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "times";">Annette Arlander: </span><a href="mailto:Annette.arlander@uniarts.fi"><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">annette.arlander@uniarts.fi</span></a><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;"> <o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "times";">Johanna Householder: </span><a href="mailto:jact@sympatico.ca"><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">jact@sympatico.ca</span></a><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;"><o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "times";">Bruce Barton: </span><a href="mailto:bruce.barton@ucalgary.ca"><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;">bruce.barton@ucalgary.ca</span></a><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;"><o:p></o:p></span><br />
<a href="mailto:bruce.barton@ucalgary.ca"><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;"><br /></span></a>
<a href="mailto:bruce.barton@ucalgary.ca"><span lang="EN-GB" style="font-family: "times"; mso-ansi-language: EN-GB;"><br /></span></a></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-78262121355967659662016-05-31T13:52:00.002+03:002016-07-08T00:54:43.700+03:00THE POROUS STUDIO Climates in, of, and for Performance A Project of THE ARTISTIC RESEARCH WORKING GROUP<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "arial"; font-size: 14pt;">Proposal for PSI #22 Melbourne</span></div>
<span style="font-family: "arial"; font-size: 14.000000pt; font-weight: 700;"><br /></span>
<span style="font-family: "arial"; font-size: 14.000000pt; font-weight: 700;">THE POROUS STUDIO
</span><br />
<span style="font-family: "arial"; font-size: 14.000000pt; font-style: italic; font-weight: 700;">Climates in, of, and for Performance
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<span style="font-family: "arial"; font-size: 14.000000pt; font-weight: 700;">A Project of<br />
THE ARTISTIC RESEARCH WORKING GROUP </span><br />
<span style="font-family: "arial"; font-size: 14.000000pt; font-weight: 700;"><br /></span>
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<span style="font-family: "arialmt"; font-size: 11.000000pt;">The </span><span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">Artistic Research Working Group </span><span style="font-family: "arialmt"; font-size: 11.000000pt;">(ARWG) of PSi proposes the </span><span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">fifth </span><span style="font-family: "arialmt"; font-size: 11.000000pt;">incarnation
of the </span><span style="font-family: "arial"; font-size: 11.000000pt; font-style: italic; font-weight: 700;">Porous Studio </span><span style="font-family: "arialmt"; font-size: 11.000000pt;">for PSi #22. A primary concern of the ARWG is to encourage and
expand artist participation on the ground in PSi and to expand and integrate a spectrum
of discourse strategies into the PSi environment. In accordance with the conference
theme we will focus our activities on “Climates in, of, and for Performance” as they
intersect with issues of artistic practice and research. To this end, we propose a </span><span style="font-family: "arial"; font-size: 11.000000pt; font-style: italic; font-weight: 700;">Porous
Studio </span><span style="font-family: "arialmt"; font-size: 11.000000pt;">to invite, include, and engage artists from Melbourne and the neighbouring
region in addition to members of the Working Group. </span><br />
<span style="font-family: "arialmt"; font-size: 11.000000pt;"><br /></span>
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<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">ABSTRACT
</span><br />
<span style="font-family: "arialmt"; font-size: 11.000000pt;">Among Artistic Research’s primary characteristics is its potential to expand traditional
epistemological frameworks for the discovery, creation, and dissemination of knowledge
and experience. Artistic Research provides rich and robust contexts for investigations of
both tangible </span><span style="font-family: "arial"; font-size: 11.000000pt; font-style: italic;">events </span><span style="font-family: "arialmt"; font-size: 11.000000pt;">and the affective </span><span style="font-family: "arial"; font-size: 11.000000pt; font-style: italic;">ambience </span><span style="font-family: "arialmt"; font-size: 11.000000pt;">that they generate. The PSi #22 CFP
notes that “Climates [</span><span style="font-family: "arialmt"; font-size: 11.000000pt;">...</span><span style="font-family: "arialmt"; font-size: 11.000000pt;">] are both the general conditions in which events take place, and
the ambience produced as a result,” and that “innovative research methodologies and
new conceptual paradigms offer ways of re-thinking this radically inter-connected world.”
Fittingly, the </span><span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">Porous Studio </span><span style="font-family: "arialmt"; font-size: 11.000000pt;">is designed to realize a productive laboratory of
experimentation at the permeable borders of theory, philosophy, pedagogy, practice and
research—one that underscores the notion of </span><span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">annual continuity </span><span style="font-family: "arialmt"; font-size: 11.000000pt;">and the
practical/symbolic significance of studio/site/process at the PSi annual conferences. We
are a constantly mutating social network of artists, which over successive years maps
itself onto sites in different cities, countries and continents. </span><span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">Porousness </span><span style="font-family: "arialmt"; font-size: 11.000000pt;">thus indicates
both an opening of the traditionally private domain of the artist’s studio to the public
nature of performance research and practice, and a determination to engage with local
artist-researchers to explore the specific climates iof performance in the region.</span><br />
<span style="font-family: "arialmt"; font-size: 11.000000pt;"><br /></span>
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<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">PARTICIPANTS
</span><br />
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">Annette Arlander </span><span style="font-family: "arialmt"; font-size: 11.000000pt;">is an artist, researcher and pedagogue, one of the pioneers of Finnish
performance art and trailblazers of artistic research. Professor of Artistic Research at
University of the Arts Helsinki. Visiting professor at Stockholm University of the Arts. For
artworks and publications, see </span><span style="font-family: "arialmt"; font-size: 11pt;">annettearlander.com</span><span style="font-family: "arialmt"; font-size: 11.000000pt;">.
</span><br />
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;"><br /></span>
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">Bruce Barton </span><span style="font-family: "arialmt"; font-size: 11.000000pt;">is a creator/scholar whose practice-based research and teaching focuses
on physical dramaturgies in devised and intermedial performance. He is the Artistic
Director of Vertical City, an interdisciplinary performance hub located in Toronto, and the
Director of the School of Creative and Performing Arts at the University of Calgary.
</span></div>
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<span style="font-family: "arial"; font-size: 11pt; font-weight: 700;"><br /></span>
<span style="font-family: "arial"; font-size: 11pt; font-weight: 700;">Johanna Householder </span><span style="font-family: "arialmt"; font-size: 11pt;">has been working in performance, dance, video and intermedia
art practices since the late 1970s. Co-author of </span><span style="font-family: "arial"; font-size: 11pt; font-style: italic;">Caught in the Act: an anthology of</span><br />
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<span style="font-family: "arial"; font-size: 11.000000pt; font-style: italic;">performance art by Canadian women</span><span style="font-family: "arialmt"; font-size: 11.000000pt;">, 2005, she is currently editing Volume Two. She is
a Professor in the Faculty of Art and Graduate Studies at OCAD University, Toronto.
</span><br />
<span style="font-family: "arialmt"; font-size: 11.000000pt;">The final determination of participants and presentations will depend upon group
discussion and development over the next few months, as well as the final composition
of the Working Group at the conference this year. Connections with local collaborators
will be determined with our contacts in the region over the intervening months.
</span><br />
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;"><br /></span>
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">SPACE REQUIREMENTS
</span><br />
<span style="font-family: "arialmt"; font-size: 11.000000pt;">A large open studio/performance/classroom with ample floor space of at least 80 Sq
Metres (large classroom size). As our objective is the integration of a variety of
discourses with practice, </span><span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">we prefer a space and time proximate to and not divorced
from the paper-session venues. </span><span style="font-family: "arialmt"; font-size: 11.000000pt;">While most participants will probably want to work
indoors, one or two may also opt to work outside. Because we wish to combine our
event with local artists, we are somewhat flexible in regard to site and timing. As we
hope for expanded local participation, the room should be able to hold about 30 people
comfortably.
</span><br />
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;"><br /></span>
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">TIME REQUIREMENTS
</span><br />
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">One 4 hour session. </span><span style="font-family: "arialmt"; font-size: 11.000000pt;">The session will have participatory works, presentations of works
in progress, exercises, screenings, and, most importantly, discussion. Part of the
session will be devoted to the annual planning meeting of the Working Group.
</span><br />
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;"><br /></span>
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">PUBLICITY
</span><br />
<span style="font-family: "arialmt"; font-size: 11.000000pt;">In order to attract local participants for past ARWG meetings, Nicholas Johnson has
made posters (see </span><span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">attached)</span><span style="font-family: "arialmt"; font-size: 11.000000pt;">. We plan to produce a poster again this year to be
distributed through email/web.
</span><br />
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;"><br /></span>
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">TECHNICAL REQUIREMENTS
</span><br />
<span style="font-family: "arialmt"; font-size: 11.000000pt;">A studio/classroom: Audio amplifier and speakers, video projector, one or two tables, wifi
access, and about 10-15 moveable chairs.
</span><br />
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;"><br /></span>
<span style="font-family: "arial"; font-size: 11.000000pt; font-weight: 700;">CONTACTS
</span><br />
<span style="font-family: "arialmt"; font-size: 11.000000pt;">Convenor: Johanna Householder, Chair ARWG </span><span style="color: rgb(0.000000% , 0.000000% , 100.000000%); font-family: "arialmt"; font-size: 11.000000pt;">jhouseholder@ocadu.ca </span><br />
<span style="font-family: "arialmt"; font-size: 11.000000pt;">Annette Arlander <span style="color: blue;">annette.arlander@uniarts.fi</span></span><br />
<span style="font-family: "arialmt"; font-size: 11pt;">Bruce Barton </span><span style="color: blue; font-family: "arialmt"; font-size: 11pt;">bruce.barton@ucalgary.ca</span><br />
<span style="font-family: "arialmt"; font-size: 11pt;"><br /></span>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-40940743399935359312015-06-22T11:21:00.002+03:002015-06-22T11:23:06.042+03:00POROUS STUDIO: AMAGER at Psi #21 Fluid States North in Copenhagen <div dir="ltr" style="text-align: left;" trbidi="on">
The Porous Studio Amager took place as part of PSI #21 Fluid States North in Copenhagen 18-21.June 2015. <a href="http://fluidstatesnorth.ku.dk/">http://fluidstatesnorth.ku.dk</a><br />
<br />
The Studio was more than usually porous this year, due to some last minute cancellations, and most of the conversations took place via Skype. The only person from the working group physically present in the studio was Annette Arlander, although Johanna Householder and Charlie Fox contributed via Skype and Anne Robinson was present at a parallell event in an adjacent room. As usual Nicholas Johnsson created a beautiful poster based on the actual room on site. The focus of the studio this year - unlike the original proposal, here below - was on the possible uses of the Research Catalogue as a platform for collaborating and sharing practice within the working group. Although the RC has been conceived of as a publication platform, and is used by Journal for Artistic Research, Journal for Sonic Studies and Ruukku - Studies in Artistic Research for that purpose, it is also a good (and free) space for archiving and sharing artistic research in all forms of digital files, images, sounds and videos. And the level of privacy can be chosen by the artist(s). Hopefully we can make use of this platform to share material before the next meeting of the working group. For those interested in participating, please familiarize yourself with and register on the RC, here <a href="http://www.researchcatalogue.net/">http://www.researchcatalogue.net</a><br />
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<a href="http://4.bp.blogspot.com/-_OaKGtOlxTg/VYfEKW8OteI/AAAAAAAAAnU/RFfOX2psU3Y/s1600/PSi%2B2015%2BStudio%2BPoster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://4.bp.blogspot.com/-_OaKGtOlxTg/VYfEKW8OteI/AAAAAAAAAnU/RFfOX2psU3Y/s1600/PSi%2B2015%2BStudio%2BPoster.jpg" /></a></div>
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This is the latest version of the proposal or plan (presented here for archival purposes):<br />
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;">POROUS STUDIO:<i style="mso-bidi-font-style: normal;"> AMAGER<o:p></o:p></i></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;">A PROJECT OF
THE ARTISTIC RESEARCH WORKING GROUP<o:p></o:p></span></b></div>
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<span lang="EN-GB" style="color: black; font-family: "Times New Roman"; font-size: 12.0pt; mso-themecolor: text1;">The PSI Artistic Research Working Group proposes the fifth incarnation
of the <b style="mso-bidi-font-weight: normal;">Porous</b> <b>Studio</b> for PSI
#21 Fluid states North Atlantic. A primary concern of the Artistic Research Working
Group is to encourage and expand artist participation on the ground in PSI, to
integrate a multiplicity of approaches to performance art into the discourse in
PSI and to explore the relationship between artistic research and performance
studies. This year, in accordance with the theme fluid sounds we want to focus
on questions related to sound and site in artistic practice. To this end, we
propose the <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Porous Studio: Amager.</i></b> <o:p></o:p></span></div>
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<span lang="EN-GB" style="color: black; font-family: "Times New Roman"; font-size: 12.0pt; mso-themecolor: text1;">The <b style="mso-bidi-font-weight: normal;">Porous</b> <b>Studio</b> is designed to encourage discussions
concerning artistic research related to performance art and/or artistic processes
and to support experimental combinations of critical theory, philosophy,
pedagogy, research and practice within the framework of the annual conference:
a productive lab of experimentation at the porous borders of theory, practice
and research. For more information about the concept, see </span><span lang="EN-GB"><a href="http://psi-artistic-research-working-group.blogspot.fi/"><span style="font-family: "Times New Roman"; font-size: 12.0pt;">http://psi-artistic-research-working-group.blogspot.fi</span></a></span><span lang="EN-GB" style="color: black; font-family: "Times New Roman"; font-size: 12.0pt; mso-themecolor: text1;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;">For this years meeting
we will examine the role of site and sound in the creation of performance art
by sharing our respective practices. We are excited about the possibility to
investigate issues around intimacy and distance, participation through telematics
as well as exploring the idea of audio papers, as indicated in the call.<span style="color: black; mso-themecolor: text1;"> </span></span><span lang="EN-US" style="color: black; font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-themecolor: text1;">The final determination of participants</span><span lang="EN-US" style="font-family: "Times New Roman"; font-size: 12.0pt;"> </span><span lang="EN-US" style="color: black; font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-themecolor: text1;">depends upon the composition of
the Working Group at the conference. We look forward to productive linkages
with local artist and community groups as well. This is something we hope to
work on with members of the Organizing Committee.</span><span lang="EN-US" style="color: black; font-family: Arial; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica; mso-themecolor: text1;"> </span><span lang="EN-GB" style="color: black; font-family: "Times New Roman"; font-size: 12.0pt; mso-themecolor: text1;">If</span><span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;"> a praxis
session is difficult to conceptualize within the structure, the porous studio
could be compared with a workshop or an extended roundtable, which can result
in one jointly produced audio paper or possibly several audio papers.<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;">Contributors
(to date):<o:p></o:p></span></b></div>
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<span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;">Johanna Householder,
will act as the convenor and present an overview of the development of the
porous studio to date. </span><span lang="EN-US" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">She will also do something focusing on
telematic presence, borrowing the title <i style="mso-bidi-font-style: normal;">Presently
Absent</i>.</span><span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;">Ray Langenbach is
currently </span><span lang="EN-US" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">working with infrasound technologies in different
sites, with voice-based performance and other technologies. He would enjoy the
opportunity to present his experiments in Copenhagen as part of the Artist
Working Group. </span><span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;"><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;"><br /></span></div>
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<span lang="EN-US" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">Charlie
Fox will focus on sharing the experiences of 'making and developing' the
artistic research practices that inform 'Detours2' with the title <i>Detours
2 - Flatlands & Soundings</i>. The work contains telematic and audio
performance. <span style="color: #810081;">http://detours2.com <o:p></o:p></span></span></div>
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<span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;">Anna Allgulin will in
her presentation <i style="mso-bidi-font-style: normal;">Porous Theatre</i> describe
the role of the sound of words in the acting methodology she is developing
based on the Stanislavsky-Vasiliev tradition.<o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: Times; font-size: 12.0pt;">Anne Robinson will' present <i style="mso-bidi-font-style: normal;">Phonogenie': Sound Magic</i> and invite a
small group of participants to respond to the possibility of dis-orienteering
through vocal performativity: lost at sea in the space between our island
selves and contributing to a collectively transgressive, sonic archipelago. The
workshop aims to experiment with rhythm, tempo and the time-bases of recording
methods, developing call and response patterns and exploring polyphony.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;"><br /></span></div>
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<span lang="EN-US" style="font-family: "Times New Roman"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">Annette
Arlander will present her project <i style="mso-bidi-font-style: normal;">Trees Talk</i>
- a series of site-specific audio plays, and discuss the implications of such collaborations
with vegetal life. If a holly or hazel can be found on Amager, she would be happy
to create a small sound installation on site. </span></div>
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<b style="mso-bidi-font-weight: normal;"><u><span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;">SPACE, TIME & TECHNICAL REQUIREMENTS<o:p></o:p></span></u></b></div>
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<span lang="EN-GB" style="color: black; font-family: "Times New Roman"; font-size: 12.0pt; mso-themecolor: text1;">A large open studio/performance/classroom with ample floor space of at least
80 square metres would be ideal. Some of us may also want to work outside. In
previous conferences we have asked for 6 hours spread over two days – 2 x 3 hr.
sessions. Each session will consist of participatory work, presentations of
works in progress, exercises, screenings and discussion. In terms of equipment
we need audio amplifier and speakers, video projector, one or two tables, about
20-30 moveable chairs and wifi access. Our audience/participants in the past
have been up to around 20 people. In order to attract local participants we
have usually made posters. Due to the exceptional character of the conference
structure this year, we are happy to negotiate these requirements in accordance
with the site and time schedule.<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><u><span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;">CONTACTS<o:p></o:p></span></u></b></div>
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<span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;">Contact
person: Annette Arlander </span><span lang="EN-GB"><a href="mailto:annette.arlander@uniarts.fi"><span style="font-family: "Times New Roman"; font-size: 12.0pt;">annette.arlander@uniarts.fi</span></a></span><span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;">Convenor:
Johanna Householder, Chair ARWG </span><span lang="EN-GB"><a href="mailto:jact@sympatico.ca"><span style="font-family: "Times New Roman"; font-size: 12.0pt;">jact@sympatico.ca</span></a></span><span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;"><o:p></o:p></span></div>
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<span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;">Ray
Langenbach </span><span lang="EN-GB"><a href="mailto:raylangenbach@mac.com"><span style="font-family: "Times New Roman"; font-size: 12.0pt;">raylangenbach@mac.com</span></a></span><span class="MsoHyperlink"><span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12.0pt;"><o:p></o:p></span></span></div>
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<span class="MsoHyperlink"><span lang="EN-GB" style="color: windowtext; font-family: "Times New Roman"; font-size: 12.0pt; text-decoration: none; text-underline: none;">Anna Allgulin </span></span><span lang="EN-GB"><a href="mailto:annaallgulin@hotmail.com"><span style="font-family: "Times New Roman"; font-size: 12.0pt;">annaallgulin@hotmail.com</span></a></span><span class="MsoHyperlink"><span lang="EN-GB" style="color: windowtext; font-family: "Times New Roman"; font-size: 12.0pt; text-decoration: none; text-underline: none;"> <o:p></o:p></span></span></div>
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<span lang="EN-GB" style="font-family: Times; font-size: 12.0pt;">Charlie Fox
</span><span lang="EN-GB"><a href="mailto:charlfox@homechoice.co.uk"><span style="font-family: Times; font-size: 12.0pt;">charlfox@homechoice.co.uk</span></a></span><span lang="EN-GB" style="font-family: Times; font-size: 12.0pt;"> <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Times; mso-bidi-font-size: 12.0pt;">Anne Robinson </span><span lang="EN-US"><a href="mailto:anne.robinson@londonmet.ac.uk"><span style="color: #00008d; font-family: Times;">anne.robinson@londonmet.ac.uk</span></a></span><span lang="EN-US" style="font-family: Times;"><o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><u><span lang="EN-US" style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">CV:s<o:p></o:p></span></u></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #010101; font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">Johanna Householder</span></b><span lang="EN-US" style="color: #010101; font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;"> has been making performances and other
artwork in Canada since the late 70s. She was a member of the notorious
satirical feminist performance ensemble The Clichettes, who performed across
Canada and the US under variable circumstances throughout the 1980s. While The
Clichettes practiced their own brand of pop culture detournment, Householder
has maintained a unique performance practice, often collaborating with other artists.
As one of the founders of the 7a*11d International Festival of Performance Art,
held biannually in Toronto, she has brought many international artists to the
festival. She is keenly interested in the histories of performance,
reperformance, and the effect that performance has had in contemporary art and
new media. Her most recent works include Portrait of a Situation, which toured
East Europe in June 2006 and Finland in 2007 and The Subject of Art:
Badiou/Miller/Cobain performed in various forms and venues including the
Interackje Festival in Poland and the Performance Studies International
conference in Zagreb in 2009. Approximations 1-3, video works produced in
collaboration with b.h. Yael, have screened in a number of international
venues. Her work is also represented in Prêt à Emporter/Take Out: Performance
Recipes for Public Space, edited by Christine Redfern for La Centrale,
Montréal, 2004 and Radical Gestures, Feminism and Performance Art in North
America by Jane Wark, 2006. </span><span lang="EN-GB"><span lang="EN-US" style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;"><a href="http://apache.ocad.ca/faculty_biographies/bio.php?bid=1197&fac=art">http://apache.ocad.ca/faculty_biographies/bio.php?bid=1197&fac=art</a></span></span><span lang="EN-US" style="color: #010101; font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;"><o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">Ray
Langenbach</span></b><span lang="EN-US" style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;"> (MFA, PhD) creates conceptual performances, convenes
gatherings, documents aesthetic and social performance, and writes on cultural
theory, visual art, performance and queer culture. His installations, video and
performance art works have been presented in the United States, Europe and
Asia-Pacific. He co-convened the <i>Perform: State: Interrogate: </i>Performance
Studies international #10 Conference (Singapore 2004), serving on the Psi Board
of Directors from 2003-2005 and from 2009-20013. He curated/co-curated the 6<sup>th</sup>
& 7<sup>th</sup> Kuala Lumpur Triennials, <i>Satu Kali</i> International
Performance Art Symposium (2006) and three Asian Art and Performance
conferences in Helsinki (2012-14). Langenbach is Professor of Performance Art
and Theory, University of the Arts Helsinki. His installations and
performance art works have been presented in the United States, Europe and
Asia-Pacific at the Whitney Museum of Art, New York LACE (Los Angeles
Contemporary Exhibitions) Nevada Museum of Art, National Centre for the Arts,
Mumba, Artspace, Sydney, the Asia Pacific Triennale (Queensland Art Gallery),
Werkleitz Biennial, the Gwangju Biennale, Malaysia National Art Gallery,
Singapore Art Museum, Kiasma, Future of Imagination Festival (Singapore),
Asiatopia (Bangkok), ArtContact (Helsinki), and the Hong Kong Art Centre, among
others. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;"><br /></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">Charlie Fox</span></b><span lang="EN-US" style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;"> is artistic director
of counterproductions. Counterproductions brings together artists, artistic
practices, the public and non-professional producers in collaborative projects
to generate new artistic culture, which is informed by and reforms contemporary
artistic culture; creating work that offers the potential of an art for all by
conjoining contemporary art practice, theory and method, to a street level
understanding and appreciation of artistic expression. Recent projects,
international exchange and collected activities include CGTV, <i style="mso-bidi-font-style: normal;">Detours</i>, Haemogoblin Society and <i style="mso-bidi-font-style: normal;">DerCentreDerSpace </i>(Marseille 2013/14).
Currently counterproductions is developing <i style="mso-bidi-font-style: normal;">Detours2
London</i>, an artist-designed cross London walking trail (2014-2016).<o:p></o:p></span></div>
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<span lang="EN-US" style="color: blue; font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">http://counterproductions.me<span style="mso-spacerun: yes;"> </span>http://charliefox.org<span style="mso-spacerun: yes;"> </span>http://decentrederspace.org <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">Anna Allgulin</span></b><span lang="EN-US" style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;"> is an actress
and theatre director. Her doctoral research deals with 'the speaking actor'
developing her personal experience, which she had mainly in the Stanislavsky
tradition - namely the lineage of Knebel-Vasiliev - as she spent about a decade
acting in Anatolij Vasiliev's Moscow theatre in the end of last century. She
graduated in GITIS, Moscow 1994, and later also in TeaK, Helsinki 1999. She is
trying to systematize a common 'method - technique and thinking' for acting,
directing and teaching theatre, where the main focus and center lies in 'what
to do with the words'. All the rest one can find on stage - physical movements,
mise-en-scène, music, silence, acting, non-acting, concrete feelings and
perceptions, abstract thoughts and phantasies, different kinds and grades of
presence, different kinds and grades of contact, immanence, transcendence,
etcetera, even lightening - is in her method emerging only from 'actors
pronouncing words together' and from precise rules for that, defined and
developed during her research. She ran during a couple of years in the
early 2000'ths Blidö Biografteater in the Stockholm archipelago. Her research
performances in Finland are: "Grönholms Metod", "Sonen",
"Madde Min Vän" and "O!DiPUSS.A.S."<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #1d1d1d; font-family: Times; font-size: 12.0pt;">Anne Robinson’s</span></b><span lang="EN-US" style="color: #1d1d1d; font-family: Times; font-size: 12.0pt;"> practice is concerned
with the perception and politics of time passing, working experimentally with
duration, frame, exposure, paint, sound and movement. She recently curated the <i style="mso-bidi-font-style: normal;">Over Time</i> project, funded by Arts
Council England, featuring pieces by eleven contemporary artists working on the
Thames foreshore including soundscapes. Activities in in 2014 include: <i style="mso-bidi-font-style: normal;">The Result of This Deception, </i>song-film
for Lumen Festival, London, solo show <i style="mso-bidi-font-style: normal;">Vital
Excess</i>, Cass London, <i style="mso-bidi-font-style: normal;">Thrashing in the
Static, </i>song-film in <i style="mso-bidi-font-style: normal;">Ghost On the
Wire</i>, Deptford X 2014 and Folkestone Triennial Fringe. She presented the
paper: <i style="mso-bidi-font-style: normal;">Enlarger Than Life: Song-Films and
Irrational Gestures </i>psi20 in Shanghai. Other talks included GHost 13 at
University of the Arts, CSM and Feminism and Subjectivities Research Group at
Chelsea School of Art. C</span><span lang="EN-US" style="color: #0e0e0e; font-family: Times; font-size: 12.0pt;">uratorial projects include: </span><span lang="EN-US" style="color: #1d1d1d; font-family: Times; font-size: 12.0pt;">Time, Flesh
and Nerve, <i style="mso-bidi-font-style: normal;">One More Time</i> and <i style="mso-bidi-font-style: normal;">Supernormal</i> festival. In 2013, she made <i style="mso-bidi-font-style: normal;">Inside Out Blues</i> for a
Counterproductions residency during Capital of Culture year in Marseilles and
presented at psi 19, Stamford. She works with film as an artist educator,
currently senior lecturer at LondonMetropolitan University and completed a
practice-led PhD on temporality entitled <i style="mso-bidi-font-style: normal;">The
Elusive Digital Frame and the Elasticity of Time in Painting</i> in 2012. </span><span lang="EN-US"><a href="http://www.annerobinsonartwork.org/"><span style="color: #000099; font-family: Times; font-size: 12.0pt;">www.annerobinsonartwork.org</span></a></span><span lang="EN-US" style="color: #1d1d1d; font-family: Times; font-size: 12.0pt;"><o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="color: #202020; font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">Annette Arlander </span></b><span lang="EN-US" style="color: #202020; font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">(DA) is an artist, researcher and a
pedagogue, one of the pioneers of Finnish performance art and a
trailblazer of artistic research. She is educated as theatre director,
Master of Arts (philosophy) and Doctor of Art (theatre and drama). Arlander
was the first to be awarded a doctorate from the Theatre Academy, Helsinki (in
1999). In 2001 she was invited as professor of performance art and
theory to instigate the MA degree program in performance art and
theory (or Live Art and performance studies, as it is called today) a position
she held until 2013. In 2007-2009 she was also head of the research department
or Performing Arts Research Centre (Tutke) at the Theatre
Academy. Arlander’s research interests are related to artistic research,
performance-as-research, performance studies, site-specificity and the
environment. Her artwork is focused on performing landscape by means of video
or recorded voice, and moves between the traditions of performance art, video
art and environmental art. See </span><span lang="EN-GB"><a href="http://annettearlander.com/"><span lang="EN-US" style="font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;">http://annettearlander.com</span></a></span><span lang="EN-US" style="color: #202020; font-family: Times; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "MS 明朝"; mso-fareast-theme-font: minor-fareast;"><o:p></o:p></span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-75870081610521346482014-07-14T08:04:00.000+03:002014-07-14T08:12:30.100+03:00POROUS STUDIO: Avant - Gardening at PSI 20 in Shanghai 2014<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif;">PRAXIS SESSION<o:p></o:p></span></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-size: 17pt;"><span style="font-family: Arial, Helvetica, sans-serif;">POROUS
STUDIO:<i style="mso-bidi-font-style: normal;"> Avant-Gardening</i> <o:p></o:p></span></span></b></div>
<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: 0.0001pt; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span lang="EN-GB" style="font-size: 17pt;"><span style="font-family: Arial, Helvetica, sans-serif;">A
PROJECT OF THE ARTISTIC RESEARCH WORKING GROUP<o:p></o:p></span></span></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><span style="color: black;">The PSi Artistic Research Working Group proposes the fourth incarnation
of the <b>Studio</b> for PSi #20 Shanghai. </span><span lang="EN-GB" style="color: black;">A primary concern of the Artistic Research Working Group
is to encourage and expand artist participation on the ground in PSi, and to
integrate a multiplicity of performance and theoretical discourses into PSi. </span><span style="color: black;">In accordance with the theme of
the conference in Shanghai we want to focus on questions related to community
in artistic practice. </span><span style="color: black;">To this
end, we propose the <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Porous Studio: Avant Gardening</i></b>, <span style="mso-bidi-font-style: italic; mso-bidi-font-weight: bold;">to invite and include work by artists from Shanghai
and the region in addition to those of current members of the Working Group.</span><o:p></o:p></span></span></div>
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<b style="mso-bidi-font-weight: normal;"><u><span lang="EN-GB"><span style="font-family: Arial, Helvetica, sans-serif;">ABSTRACT <o:p></o:p></span></span></u></b></div>
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<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
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<span style="color: black;"><span style="font-family: Arial, Helvetica, sans-serif;">The <b style="mso-bidi-font-weight: normal;">Porous</b> <b>Studio</b> is designed to
encourage and support combinations of process, theory, philosophy, pedagogy,
research and practice within the framework of the annual conference: a
productive lab of experimentation at the porous borders of theory, philosophy, practice
and research. <o:p></o:p></span></span></div>
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<br /></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; text-align: left;">
<span style="color: black;"><span style="font-family: Arial, Helvetica, sans-serif;">The Artistic Research
Working Group is engaged in a long-term reflexive inquiry into the <b style="mso-bidi-font-weight: normal;">Studio</b> as a spatio-temporal entity. Traditionally,
the studio is a space designated by artists as a site where economies collide;
private + public, culture + industry, rehearsal + spectacle, individual + group,
etc., that sometimes results in performative products, and often not = research.
A room, factory, notebook, rock in a landscape, the city street, the body, a
group of bodies, or the space between your ears, the <b style="mso-bidi-font-weight: normal;">Studio</b> holds a mythic place in the imagination as a site for
cross-class group and/or individual work and research, the sharing of resources
and methods, and as a stage (temporal and spatial) for both the choreography of
artistic labor and its dissemination. <b style="mso-bidi-font-weight: normal;">Porousness</b>
indicates an opening of the traditionally private domain of the artist’s studio
to the visible and public nature of performance research and practice.<o:p></o:p></span></span></div>
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<br /></div>
<div class="MsoNormalCxSpMiddle" style="line-height: normal; text-align: left;">
<span style="color: black;"><span style="font-family: Arial, Helvetica, sans-serif;">The <b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;">Porous
Studio</i></b> underscores the notion of <b style="mso-bidi-font-weight: normal;">annual
continuity</b> and the practical/symbolic significance of studio/site/process
at the PSi annual conferences. We are a constantly mutating social network of
artists, which over successive years maps itself onto sites in different
cities, countries and continents. This continuous narrative of theoros-praxis
has, as its intent, the continuous development of a community and a <i style="mso-bidi-font-style: normal;">(re)turn</i> to <span style="mso-bidi-font-style: italic;">the<i> </i>studio<i> </i></span>as a place of making, and the
material conditions that the act of making entails.<o:p></o:p></span></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: normal; text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif;">As
in the inaugural session in Utrecht at PSi #17 and subsequent <b style="mso-bidi-font-weight: normal;">Porous Studios</b> at Leeds and Stanford,
participants in the <b style="mso-bidi-font-weight: normal;">Studio</b> engage
creatively with the conference theme. In this case we have adapted the theme’s
syntax to exam the role of performance in making communities: <b style="mso-bidi-font-weight: normal;">Avant-gardening </b>makes reference to the
role of artists in the cultivation and nuturing of communities. <b style="mso-bidi-font-weight: normal;">A<span style="mso-bidi-font-weight: bold;">n
avant-garde tradition, cultivating community.</span></b> <o:p></o:p></span></div>
<div style="text-align: left;">
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<span style="color: black;"><span style="font-family: Arial, Helvetica, sans-serif;">The final determination of participants and presentations depends upon
group discussion and development over the next few months, and the final
composition of the Working Group at the conference this year. The members hope and
intend that there will be productive linkages with local artist and community
groups. This is something we hope to be able to work on with members of the
Shanghai Organizing Committee and our contacts in the region over the
intervening months.<o:p></o:p></span></span></div>
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div>
<span style="font-family: Arial, Helvetica, sans-serif;">***</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span>
<span style="font-family: Arial, Helvetica, sans-serif;">The Porous Studio was avant-gardening at the Shanghai Theatre Academy on two consecutive days, <b>Saturday July 5 from 9 am to noon</b> and <b>Sunday July 6 from 9 am to noon.</b> We also had a short meeting in order to plan for the future, for instance increased web presence, on Sunday evening after the conference program. </span><br />
<div style="text-align: left;">
<div style="text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div style="text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif;">Brief impressions by chair Johanna Householder:</span></div>
<div style="text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span><span style="font-family: Arial, Helvetica, sans-serif;">"The sessions - no matter how pessimistic I may feel about no-one coming or not being fully prepared always seem to actually work. A small select group on Day 1: Annette Arlander revisited her rock sitting performances, Anne Robinson, a Danish dramaturge Annelis, an artist from SE Asia, Shaleen, and myself. We presented works in progress, a recent performance, a prospective curatorial project, and made some experiments. Day 2: Ray Langenbach held forth, visiting curator Jonas Stampe talked about his path, an awesome actress from Beijing/US, Che Xaio presented on her forthcoming monologue on 'leftover women', etc. Always su</span><span style="font-family: Arial, Helvetica, sans-serif;">rprising and inspiring."</span><br />
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span><span style="font-family: Arial, Helvetica, sans-serif;">Nicholas Johnson, who was unable to participate this time, created a poster for the event:</span></div>
</div>
</div>
<div style="text-align: left;">
<span style="font-family: Arial, Helvetica, sans-serif;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-64SBMCFwz-g/U8Ng4O_2fUI/AAAAAAAAAks/yjksdMMS2cw/s1600/Porous+Studio+2014.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="http://4.bp.blogspot.com/-64SBMCFwz-g/U8Ng4O_2fUI/AAAAAAAAAks/yjksdMMS2cw/s1600/Porous+Studio+2014.jpg" /></a></div>
<div style="font-family: Calibri;">
<br /></div>
</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-51594611836998672902013-07-06T21:20:00.000+03:002013-07-09T15:31:40.320+03:00Porous Studio at Stanford with lots of presentations<div dir="ltr" style="text-align: left;" trbidi="on">
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<span lang="EN-US" style="font-size: 16.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Courier;"><span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Times;">The Porous Studio took place at PSi #19 at Stanford
and included several interesting presentations, starting with a film by Anne
Robinson and a discussion about it. We also heard (and participated in) presentations by Ray
Langenbach, Angel Viator Smith, Jenni Kokkomäki, Annette Arlander and Johanna Householder
(the following day). Two "local" artists-researchers, Beth Grossman
and Pamela Davis Kivelson from Stanford presented their work as well. The
atmosphere was relaxed and supportive, as always, and the contributions from
the US participants were much appreciated. You can watch a video of a
brief documentation of one of the participatory presentations on vimeo <a href="https://vimeo.com/69953101">https://vimeo.com/69953101</a></span></span></div>
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<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Times;">And here is the brief report our new chair Johanna
Householder gave at the General Assembly of PSi at the end of the conference:<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<br /></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Courier;">This year at Stanford, and for the previous two
conferences the Artist Committee conducted the Porous Studio as a site, a
location and a format that recognizes and enables the processes of practice as
a place and time for the production of research, theoretical inquiry and making
parallel to the panel format. Porousness also indicates the possibility of
connecting with artists local to the conference, and their contributions along
with the ongoing inquiries of Committee members has made this a rich and
productive process.</span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Times;"><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Courier;">The Artists Committee / Porous Studio is grateful to
the organizers of the Utrecht, Leeds and the Stanford conferences, and the
board and members of PSi for supporting this mode of inquiry. We hope to
continue The Studio in Shanghai next year.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Courier;">One other thing to report is that in anticipation of
the shift in board structure - the Artists Committee has decided to
reconstitute itself as a Working Group, which we have titled: The Artistic
Research Working Group.<o:p></o:p></span></div>
<div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;">
<span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Courier;">Finally, I would like to sincerely thank Ray
Langenbach for his fearless leadership of the Committee for the past few years
and for his own investment in Porous Studio.</span><span lang="EN-US" style="mso-ansi-language: EN-US; mso-bidi-font-family: Times;"><o:p></o:p></span></div>
<!--EndFragment--></span></div>
<!--EndFragment--><br />
<div style="text-align: left;">
</div>
</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-86076908993084309112013-06-18T13:22:00.001+03:002013-06-18T13:24:03.666+03:00Ma(r)king Time - June 27 at PSi #19 Stanford<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<span class="apple-style-span"><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><span style="border-spacing: 0px;">-----------------------------------------------------------------</span></span></span><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><span style="border-spacing: 0px;">Building 550 Concept Space</span></span></b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span style="font-size: 18pt; mso-fareast-font-family: "Times New Roman";">The Artists'
Committee Annual Porous Studio</span></b><b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"> </span></b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";">Thursday
June 27 9am-12:45pm</span></b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span style="font-size: 17.5pt; mso-fareast-font-family: "Times New Roman";">M a (r)
k i n g T i m e</span></b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span style="font-size: 17.5pt; mso-fareast-font-family: "Times New Roman";">reAl
timE </span></b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p> </o:p></span></div>
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";">Anne Robinson </span></b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";">Annette Arlander </span></b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";">Beth Grossman </span></b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";">Jenni Kokkomäki</span></b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";">Johanna Householder</span></b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";">Ray Langenbach </span></b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span style="font-family: "Arial","sans-serif"; font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";">and more</span></b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<b>To
encourage and expand practice-led research and methodologies in PSi, the PSi
Artists' Committee is presenting the third incarnation of the "Porous
Studio" for PSi #19 Stanford. Interventions invited. </b></div>
<div class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">
<span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p> </o:p></span></div>
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; text-align: center;">
<b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";">We will hold
the annual Artists Committee Planning Meeting on Friday June 28 11:15am. All
invited </span></b><span style="font-size: 13.5pt; mso-fareast-font-family: "Times New Roman";"><o:p></o:p></span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-jpv-113FoIY/UcA0FfvGf9I/AAAAAAAAAaE/edMLCTpo3KI/s1600/porous+studio+3.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/-jpv-113FoIY/UcA0FfvGf9I/AAAAAAAAAaE/edMLCTpo3KI/s1600/porous+studio+3.JPG" /></a></div>
<br />
<div align="center" class="MsoNormal" style="margin: 0cm 0cm 0pt; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: center;">
<b>--------------------------------------------------------------------------------------</b><o:p></o:p></div>
</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-18605544681682922442013-03-31T10:34:00.004+03:002013-04-01T09:23:34.276+03:00Marking Time<div dir="ltr" style="text-align: left;" trbidi="on">
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<b><span lang="EN-US" style="font-family: Arial; mso-ansi-language: EN-US;">POROUS STUDIO:<i> M A R K I N G <span style="mso-spacerun: yes;"> </span>T I M E</i></span></b><span lang="EN-US" style="font-family: Arial; mso-ansi-language: EN-US;"><o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: Arial; mso-ansi-language: EN-US;">A PROJECT OF THE ARTISTS’ COMMITTEE</span></b></div>
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<span lang="EN-US" style="font-family: Arial; mso-ansi-language: EN-US;"><br />The PSi Artists' Committee presents the third incarnation of the "Porous Studio" for PSi #19 Stanford. A primary purpose of the Artists' Committee is to encourage and expand practice-led research and methodologies in PSi. In accordance with the theme of the conference at Stanford, we will focus on questions related to temporality in artistic practice. To this end we invite works in progress and discussion from artists attending PSi. The Studio will take place over 6 hours on 2 days with the Artists’ Committee planning meeting ending the second day. Those who wish to participate please contact <a href="https://julia.teak.fi/owa/14.1.438.0/scripts/premium/redir.aspx?C=831cf15d1ac74454b68aeb380d08a961&URL=mailto%3ajact%40sympatico.ca" target="_blank">jact@sympatico.ca</a> or <a href="https://julia.teak.fi/owa/14.1.438.0/scripts/premium/redir.aspx?C=831cf15d1ac74454b68aeb380d08a961&URL=mailto%3araylangenbach%40mac.com" target="_blank">raylangenbach@mac.com</a> .<br /><br />PRESENTER 1 : Johanna Householder, Chair<br />INSTITUTIONAL AFFILIATION: Ontario College of Art & Design<br /><br />PRESENTER 2 : Ray Langenbach<br />INSTITUTIONAL AFFILIATION: Universiti Tunku Abdul Rahman & Helsinki University of the Arts<br /><br />PRESENTER 3: Other Members of the Committee & Invited Artists<br />INSTITUTIONAL AFFILIATION: Various & Independent </span></div>
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-61406669016059744042012-10-31T11:50:00.001+02:002012-10-31T11:50:22.664+02:00Coming soon - Porous Studio: Stanford Edition. <div dir="ltr" style="text-align: left;" trbidi="on">
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Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-63137581944755973832012-07-05T19:48:00.000+03:002012-10-31T11:47:43.115+02:00The Porous Studio<div dir="ltr" style="text-align: left;" trbidi="on">
The second studio took place at PSI #18 in Leeds 2012. The two posters from Leeds, created by Nicholas Johnsson, here below:<br />
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<strong>Short abstract:</strong><br />
The PSi Artists' Committee is proposing the second incarnation of the <strong>"Studio"</strong> for <strong>PSi #18 LEEDS</strong>. A primary concern of the Artists' Committee is to encourage artist participation in PSi, and to integrate performance theory and practice. To this end, we propose a Porous Studio this year, so as to include works by artists from Leeds. <br />
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<strong>Long abstract:</strong><br />
A primary concern of the Artists' Committee is to encourage and expand artist participation in PSi, and to develop the integration of a multiplicity of performance and theoretical discourses in PSi. <br />
The PSi Artists' Committee is proposing the second incarnation of the <strong>"Studio"</strong> for this year’s <strong>PSi #18 LEEDS.</strong> The Studio is designed to encourage and support combinations of process, theory, philosophy, pedagogy, and practice within the framework of the annual conference: a productive lab of experimentation at the fuzzy border of theory, philosophy and practice. As in the inaugural session in Utrecht, some participants in the Studio will engage creatively with the conference theme. The final determination of works depends on how our discussions as a group develop over the next few months, and the final composition of the committee at the conference this year. <br />
We are now working on developing links with members of the arts community in Leeds, so we propose a Porous Studio this year, to include works by other artists from Leeds. The Artists’ Committee is engaged in a long-term reflexive inquiry into what exactly is a "studio": historically a space designated by artists as a site where economies collide: private + public, culture + industry, rehearsal + spectacle… sometimes resulting in products, and often not. Whether a room, factory, notebook, rock in a landscape, the city street, a laptop on a plane, the body, or the space between one’s ears. The studio holds a mythic place in the imagination as a site for cross-class industry: individual or group work, the sharing of resources and methods, and as a stage (temporal and spatial) for both the choreography of artistic labor, and the respite of the flâneur. <br />
The Studio underscores the notion of annual continuity and the practical/symbolic significance of site/place at the PSi annual conferences. We are a constantly mutating social network of artists, which over successive years map itself onto many sites in different cities, countries and continents. This continuous narrative of theoros-praxis has, as its intent, the continuous development of a community and a "(re)turn" to site and the material conditions site entails.</div>
Unknownnoreply@blogger.com0tag:blogger.com,1999:blog-3769085727072121338.post-22033435176658878972012-07-05T19:45:00.002+03:002012-07-05T19:53:16.720+03:00Aim and Purpose of the Artists' Committee<div dir="ltr" style="text-align: left;" trbidi="on">
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The Artists' Committee is committed to supporting mutual exchange among artists engaged in PSi and performance studies, as well as enabling contacts with local artists in the area of the yearly conferences.<br />
The chair of the committee is Ray Langenbach. The main working mode at present is the Studio, which provides a space to share artistic practice, artistic research and artworks in the making in informal ways. The first studio took place at PSI #17 in Utrecht 2011. The poster, designed by Nicholas Johnson, here below:<br />
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<br /></div>Unknownnoreply@blogger.com0